Bowker_Escargotesque_Cover_MOCK_3Escargotesque, or, What Is Experience?

by M.H. Bowker

Dead Letter Office (for BABEL Working Group)

FORTHCOMING: Autumn 2014

In this unflinching, unconventional meditation on the understanding of self and identity, filtered through an ethical struggle with visitation and privilege, M.H. Bowker creates an odd, beautiful song of the self.

~Chris Abani, author of The Secret History of Las Vegas and The Face: A Cartography of the Void

“Experience” is a concept paradoxically deployed to accentuate the aconceptual. Although thinking, knowing, reflecting, and analyzing are kinds of experiences, invocations of “experience” typically direct our attention to what is immediate, embodied, unrepresented, unthought, even unthinkable. And yet, whether by learning experience, traumatic experience, life experience, mystical experience, or all of these, we hope most fervently that our experience will teach us, transform us, become part of us. Why do we strive to find, profit from, and possess experience while insisting upon experience’s intellectual elusiveness? What do we intend when we petition (and re-petition) experience for truth, for growth, for strength? To whom or to what do we sing when we sing experience’s song?

Escargotesque, or, What is Experience? asks why both our lived experiences and our mythologies of experience so often fold inward, repeat, return. Departing from his unusual experience of working as a garbage-collector in the West African country of Benin, M.H. Bowker converses with several champions of experience (from Michel de Montaigne to John Dewey, from Søren Kierkegaard to Ralph Waldo Emerson, from Simone Weil to R.D. Laing) to pose radical questions about the intentions and dynamics that guide our quest for experience, intentions and dynamics that are more destructive and more melancholy than celebrants of experience would care to admit.

Across Escargotesque’s six loosely linear parts, fragments of prose memoir intersect with poetry, sketch art, philosophical reflection, cultural criticism, and psychological examination in ways that both evoke and unsettle the thinking person’s experience. Escargotesque both testifies to an experience and reveals surprising fantasies driving the modern and postmodern turn to experience as a source of truth and hope. Such fantasies include the sacredness of even the most violent ‘pure experience,’ the necessity of supplicating experience’s objects, and the ultimate demise of the one who experiences.

M.H. Bowker, Ph.D., is a political theorist and visiting Assistant Professor at Medaille College in Buffalo, New York. Educated at Columbia University and the University of Maryland, College Park, his work combines political philosophy, psychoanalytic theory, and literary and cultural criticism. He is the author of numerous books and papers on modern and postmodern ethics, absurdism, existentialism, loss and mourning, and critical pedagogy, including Rethinking the Politics of Absurdity: Albert Camus, Postmodernity, and the Survival of Innocence (Routledge, 2014), Albert Camus and the Political Philosophy of the Absurd: Ambivalence, Resistance, and Creativity (Rowman & Littlefield, 2013), and Ostranenie: On Shame and Knowing (punctum books, 2012).

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