Oceanic New York
- Edited by Steve Mentz
Published on September 18, 2015 by punctum books
- Pages
- 250 pages
- Languages
- English
- Dimensions
- 5⤫8 in.
- ISBN (Paperback)
- ISBN: 978-0-692-49691-6 (Paperback)
- BISAC subject codes
- BISAC: NAT025000
- Thema subject codes
- THEMA: 1KBB-US-NAKC, JBCC, RGBP
This volume comprises a three-fold object, Book and Ocean and New York City.
If this Book were Ocean, how would it feel between your fingers? Wet and slippery, just a bit warmer or colder than the air around it, since the Ocean is our planet’s greatest reservoir of heat, a sloshing insulator and incubator girdling our globe. If its pages were New York City, how would they abrade your imagination? Human and teeming, endlessly humming along with that same old tune. Imagine that these three things were one thing. All together: Book and Ocean and New York City. During the long historical pause between the day the last sailing ship docked at South Street and that day in October 2012 when Hurricane Sandy brought the waves back in fury, New York turned its back on the sea. This Book remembers that the City was founded on Ocean, peopled by its currents, grew rich on its traffic. The storm taught what we should never have forgotten: under New York’s asphalt lies not beach but Ocean.
Oceanic New York salvages the City’s salt-water past and present. It takes inspiration from Elizabeth Albert’s gorgeous exhibition of historical artifacts and contemporary art, “Silent Beaches, Untold Stories: New York City’s Forgotten Waterfront,” which was on display at St. John’s University in Queens in Autumn 2013. Buoyed up by art, the Book plunges into the urban and oceanic. “Circumambulate the city of a dreamy Sabbath afternoon,” entices our friend Ishmael. “Nothing will content [us] but the extremest limit of the land.”
Contents
Frontmatter (i–xxiii)
Steve Mentz
Silent Beaches (1–13)
Elizabeth Albert
"Miss Newtown Creek" (15–26)
Granville Ganter
Arctic-Oceanic New York (27–35)
Lowell Duckert
#bottlesNbones: tales of oceanic remains (37–64)
Jamie Skye Bianco
Groundswell (65–72)
Alison Kinney
City in the Sea (73–77)
Bailey Robertson
Insensate Oysters and Our Nonconsensual Existence (79–91)
Karl Steel
Super Ocean 64 (93–99)
Matt Zazzarino
A Short History of the Hudsonian Ice Age (101–111)
Nancy Nowacek, Lowell Duckert
Wages of Water (113–120)
Steve Mentz
Instructions: In Case of Immersion (123–129)
Steve Mentz, Marina Zurkow
The Sea is a Conveyance-Machine (131–141)
Jeffrey Jerome Cohen
Nice Soundings (143–147)
Allan Mitchell
New York, Oceanic City (149–157)
Dean Kritikos
Oceanic Valuation (159–167)
Anne Harris
Tourism, Experience, Knowledge, Action (169–175)
Julie Orlemanski
Watery Metaphor (177–185)
Jonathan Hsy
Building a Bridge by Hand to Cross Buttermilk Channel on Foot (187–199)
Nancy Nowacek
Oceanic Dispatches (201–208)
Jeffrey Jerome Cohen, Allan Mitchell
Backmatter (211–227)
Steve Mentz
Biographies
Steve Mentz is Professor of English at St. John’s University in New York City. His scholarly work in oceanic humanities appears in the book, At the Bottom of Shakespeare’s Ocean (2009) as well as in essays in PMLA, Shakespeare, postmedieval, and numerous edited collections. He has recently published eco-theoretical essays in two previous punctum Books, Burn After Reading (opens in new tab)(2014) and Inhuman Nature (opens in new tab)(2014). He has also written a study of Elizabethan prose fiction, Romance for Sale in Early Modern England (2006), and co-edited two essay collections, Rogues and Early Modern English Culture (2004) and The Age of Thomas Nashe (2014). Creative eco-writing appears regularly on his blog, The Bookfish. His study of maritime disaster narratives, Shipwreck Modernity: Ecologies of Globalization, 1550–1719, is forthcoming from University of Minnesota Press.
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Genres
- Biosphere
- Built Environments
Keywords
- cultural studies
- ecology
- environmental humanities
- New York City
- oceanic studies
