Recent and Forthcoming Titles
Originally published by eth co-director David Hadbawnik’s habenicht press in 2012, Ballads uses the lyric form to explore the effects of global Capitalism from a sharp Marxist perspective. Recognizing the congruence between folk song circulation and the circulation of money, the ...
Unless As Stone Is
The sestina is a form in which words repeat regularly, intricately, appearing and reappearing in new contexts with new meanings. Sam Lohmann’s Unless As Stone Is emerged from a few years of living with Dante’s sestina, “Al ...
“Mais où sont les neiges d’antan?” François Villon’s most famous line is a kind of translation, a variation of the old “ubi sunt” trope: Where are the things that used to be? But Villon specifically ...
Cotton Nero A.x: The Works of the “Pearl” Poet
Manuscript Cotton Nero A.x takes its designation from the unique cataloging system of seventeenth-century British antiquarian Sir Robert Cotton’s library: busts of historical figures atop shelves provided the organizing principle, such that one found this ...
by EILEEN A. JOY Caring for [ourselves] is not self-indulgence, it is self-preservation and that is an act of political warfare. ~ Audre Lorde But we can’t (and we won’t!) continue to be administered by a ruthless regime of technocrats that wants to turn everyone and everything into bodiless data, into sermons sent over the[…]
by Eileen Joy In the spirit of Open Access also (ideally) meaning transparency of the data of open-access publishing, here are some figures from punctum books, followed by a plea. Ever since launching our Graduated Open Access platform at the beginning of this year (whereby PDFs of each of our titles are available for $5.00[…]
photo by Quinn Norton, taken on Feb. 9, 2008 There is no justice in following unjust laws. It’s time to come into the light and, in the grand tradition of civil disobedience, declare our opposition to this private theft of public culture. ~Aaron Swartz (1986–2013) … open-access publishing is a brilliant way around the failure[…]
by Eileen Joy Responses to the website of prominent Anglo-Saxonist Allen Frantzen (Loyola University, Emeritus) have generated a wide conversation, centering especially on the need for what we might call ‘truth and reconciliation’ in the field of academic medieval studies, conducted in person, by phone, and on social media (which was also partly sparked by[…]
It is the Connection of Desire to Reality that Possesses Revolutionary Force, or, Why I Decided Not to Commit Suicide, After All
by EILEEN JOY I am recently returned from the annual convention of the Modern Language Association in Austin, Texas, accompanied by one of my co-Directors Chris Piuma, and I have to say that it was the most exhilarating, inspiring, galvanzing event I have ever attended, and for reasons that had practically zilch to do with[…]
Open Letter to Rosemary Feal, Kathleen Fitzpatrick, and the Modern Language Association by Eileen A. Joy *initially written for Facebook, 14 December 2015 (and slightly expanded here / to help me make this letter better and to point out its weaknesses and to help me emend/correct anything, please visit the Discussion Session built around the[…]
Someone, or some distributive collectives of someones, needs to take responsibility for securing the [necessary] freedom for the greatest number of persons possible who want to participate in intellectual-cultural life, and for enabling the greatest possible number of forms of such life, thereby also ensuring the creative robustness of the larger social systems within which[…]
Figure 1. still image from Woody Allen’s Everyone Says I Love You (1996) by EILEEN JOY I am recently returned from the 4th Biennial Meeting of the BABEL Working Group, held at the University of Toronto (Oct. 9-11; see full program HERE), where I participated as a speaker on a session co-organized by Craig Dionne[…]