Christina McPhee: A Commonplace Book
- Edited by Eileen A. Joy
Published on October 17, 2017 by punctum books
- Pages
- 166 pages
- Languages
- English
- Dimensions
- 8.50⤫8.50 in.
- ISBN (Paperback)
- ISBN: 978-1-947447-08-0 (Paperback)
- ISBN (PDF)
- ISBN: 978-1-947447-09-7 (PDF)
- LCCN
- LCCN: 2017949734
- BISAC subject codes
- BISAC: BIO001000
- Thema subject codes
- THEMA: AGB
Christina McPhee’s ‘commonplace book’ draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art — all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video installation and poetics engage with her ‘open-work’ practice. Christina McPhee’s images move from within a matrix of abstraction, shadowing figures and contingent effects. The tactics of living are in subterfuge, like the dazzle ships of camouflage in war.
This ‘commonplace book’ develops a view of recent work in collaged paintings, drawings, photomontage and video installation, around themes of environmental transformation and ‘post-natural’ community.
The book includes conversations, essays, interviews and notes by Ina Blom, Phil King, James MacDevitt, Donata Marletta, Melissa Potter, Judith Rodenbeck, Esztar Timár, and Frazer Ward.
Christina McPhee’s work is in museum collections, including the Whitney Museum of American Art, New York, the International Center for Photography, New York, the Kemper Museum of Contemporary Art, Kansas City, Thresholds New Media Collection, Scotland, and elsewhere. Her work has shown in solo exhibitions at American Unversity Museum, Washington, DC; Bildmuseet, Umea, Sweden, and in group exhibitions including documenta 12 and Bucharest Biennial 3. McPhee lives and works in California, and you can see more about her work at her website(opens in new tab).
Contents
Frontmatter (1–46)
Conversation: Judith Rodenbeck with Christina McPhee (47–57)
Judith Rodenbeck
Studio Visit (67–69)
Phil King
Carbon Immediate (75–78)
Frazer Ward
Mineral Relief (83–89)
Ina Blom
Interview: The Political Aesthetics of Nature (107–119)
Donata Marletta
Tesserae of Venus (125–129)
Melissa Potter
Murmurations: On Glyphs, Shards, and Teoremas (137–139)
Eszter Timár
Pattern Discognition (145–153)
James MacDevitt
Backmatter (155–161)
Biographies
Eileen A. Joy is the Founding Director of punctum books and has published widely on medieval literature, cultural studies, intellectual and literary history, ethics, affects and embodiments, the post/human, and speculative realism. She is the co-editor of postmedieval: a journal of medieval cultural studies(opens in new tab) and the Lead Ingenitor of the BABEL Working Group(opens in new tab). She is also the co-editor of The Postmodern Beowulf (West Virginia University Press, 2007), Cultural Studies of the Modern Middle Ages (Palgrave, 2007), Dark Chaucer: An Assortment(opens in new tab) (punctum, 2012), On Style: An Atelier (opens in new tab)(punctum, 2013), Speculative Medievalisms: Discography(opens in new tab) (punctum, 2013), Burn After Reading (opens in new tab)(punctum, 2014), Fragments for a History of a Vanishing Humanism (Ohio State, 2016), and After the “Speculative Turn”: Realism, Philosophy, and Feminism(opens in new tab) (punctum, 2016).
Usage metrics
Genres
- Art+Aesthetics
Keywords
- anthropocene
- art practice
- deep ecology
- digital media
- environmental art
