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Christina McPhee: A Commonplace Book

  • Edited by Eileen A. Joy

Published on October 17, 2017 by punctum books

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Pages
166 pages
Languages
English
Dimensions
8.50⤫8.50 in.
ISBN (Paperback)
ISBN: 978-1-947447-08-0 (Paperback)
ISBN (PDF)
ISBN: 978-1-947447-09-7 (PDF)
LCCN
LCCN: 2017949734
BISAC subject codes
BISAC: BIO001000
Thema subject codes
THEMA: AGB

Christina McPhee’s ‘commonplace book’ draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art — all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video installation and poetics engage with her ‘open-work’ practice. Christina McPhee’s images move from within a matrix of abstraction, shadowing figures and contingent effects. The tactics of living are in subterfuge, like the dazzle ships of camouflage in war.

This ‘commonplace book’ develops a view of recent work in collaged paintings, drawings, photomontage and video installation, around themes of environmental transformation and ‘post-natural’ community.

The book includes conversations, essays, interviews and notes by Ina Blom, Phil King, James MacDevitt, Donata Marletta, Melissa Potter, Judith Rodenbeck, Esztar Timár, and Frazer Ward.

Christina McPhee’s work is in museum collections, including the Whitney Museum of American Art, New York, the International Center for Photography, New York, the Kemper Museum of Contemporary Art, Kansas City, Thresholds New Media Collection, Scotland, and elsewhere. Her work has shown in solo exhibitions at American Unversity Museum, Washington, DC; Bildmuseet, Umea, Sweden, and in group exhibitions including documenta 12 and Bucharest Biennial 3. McPhee lives and works in California, and you can see more about her work at her website(opens in new tab).

Contents

  1. Frontmatter (1–46)

  2. Conversation: Judith Rodenbeck with Christina McPhee (47–57)

    Judith Rodenbeck

  3. Studio Visit (67–69)

    Phil King

  4. Carbon Immediate (75–78)

    Frazer Ward

  5. Mineral Relief (83–89)

    Ina Blom

  6. Interview: The Political Aesthetics of Nature (107–119)

    Donata Marletta

  7. Tesserae of Venus (125–129)

    Melissa Potter

  8. Murmurations: On Glyphs, Shards, and Teoremas (137–139)

    Eszter Timár

  9. Pattern Discognition (145–153)

    James MacDevitt

  10. Backmatter (155–161)

Biographies

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Genres

  • Art+Aesthetics

Keywords

  • anthropocene
  • art practice
  • deep ecology
  • digital media
  • environmental art