Out of Place: Artists, Pedagogy, and Purpose
- Edited by Tim Doud, Zoë Charlton
Published on October 28, 2021 by punctum books
- Pages
- 432 pages
- Languages
- English
- Dimensions
- 7⤫10 in.
- ISBN (Paperback)
- ISBN: 978-1-68571-004-0 (Paperback)
- ISBN (PDF)
- ISBN: 978-1-68571-005-7 (PDF)
- LCCN
- LCCN: 2021949029
- BISAC subject codes
- BISAC: ART027000, ART037000
- Thema subject codes
- THEMA: AGB, AGT, AKB
Broad in scope, Out of Place: Artists, Pedagogy, and Purpose presents an overview of the different paths taken by artists and artist collectives as they navigate their way from formative experiences into pedagogy. Focusing on the realms inside and outside the academy (the places and persons involved in post-secondary education) and the multiple forms and functions of pedagogy (practices of learning and instruction), the contributors in this volume engage individual and collective artistic practices as they adapt to meet the factors and historical conditions of the people and communities they serve through solidarity, equity, and creativity.
With this critically, historicist approach in mind, the contributions in Out of Place historicize, study, critique, revise, reframe, and question the academy, its operations, and exclusions. The extensive range of contributions, emphasizing community-oriented projects both inside and outside the United States, is grouped into three overarching categories: artists who work in academic institutions but whose social and pedagogical engagement extends beyond those walls; artists who engage in pedagogical initiatives or forms of institutional critique that were established outside of an art school or university setting; and artist–scholars who are doing transformative and inter/transdisciplinary work within their respective institutions.
Collectives and projects represented in Out of Place comprise Art Practical, Axis Lab, BFAMFAPhD, Beta-Local, Black Lunch Table Project, The Black School, The Center for Undisciplined Research, Devening Projects, ds4si, Elsewhere, Ghana ThinkTank, Gudskul, The Icebox Project Space, Las Hermanas Iglesias, The Laundromat Project, Occupy Museums, Peebls, PlantBot Genetics, Queer Conversations on Culture and the Arts, Related Tactics, Side by Side, ‘sindikit, Sustainable Native Communities Collaborative, and Tiger Strikes Asteriod.
Contents
Frontmatter (1–13)
Tim Doud, Zoë Charlton
Foreword (15–18)
Jordan Amirkhani
Introduction (21–28)
Tim Doud, Zoë Charlton
Alexandria Smith (31–37)
Alexandra Smith
Ken Gonzales-Day (39–46)
Ken Gonzales-Day
Lauren Frances Adams (47–57)
Lauren Frances Adams
Lisi Raskin (59–71)
Lisi Raskin
Michael Ray Charles (73–82)
Michael Ray Charles
Patricia Nguyễn (83–92)
Patricia Nguyễn
Rudy Lemcke + Tina Takemoto (93–102)
Rudy Lemcke, Tina Takemoto
BFAMFAPhD (105–124)
Caroline Woolard, Susan Jahoda
Devening Projects
Dan Devening
Extrapolation Factory (139–146)
Elliott P. Montgomery
Open Engagement + Side by Side (147–152)
Jen Delos Reyes
Las Hermanas Iglesias
Janelle Iglesias, Lisa Iglesias
The Center for Undisciplined Research (169–178)
Roz Crews
PlantBot Genetics (179–188)
Wendy DesChene, Jeff Schmuki
Stephanie Dinkins (189–198)
Stephanie Dinkins
Tiger Strikes Asteroid (201–210)
Alexis Granwell
Beta-Local (211–219)
Pablo Guardiola, Tony Cruz
Black Lunch Table (221–231)
Heather Hart, Jina Valentine
Carmen Papalia + Whitney Mashburn (233–241)
Carmen Papalia, Whitney Mashburn
ds4si (243–249)
Kenneth Bailey
Elsewhere (251–263)
Antoine Williams, Daniel Coleman, George Scheer
Ghana ThinkTank (265–279)
Christopher Robbins, Maria del Carmen Montoya
Gudskul (281–296)
farid rakun, Leonhard Bartolomeus, Marcellina Dwi Kencana Putri
Jaimes Mayhew (297–303)
Jaimes Mayhew
Sustainable Native Communities Collaborative (305–314)
Joseph Kunkel
Related Tactics + Art Practical (315–324)
Michele Carlson
Occupy Museums (325–338)
Noah Fischer
The Laundromat Project (339–348)
Risë Wilson
The Icebox Project Space (349–357)
Ryan McCartney
The Black School (359–371)
Shani Peters, Joseph Cuillier III
Conclusion (375–384)
Bill Gaskins
Afterwords (385–397)
George Cicsle, Tim Doud, Zoë Charlton
Contributor Biographies (399–413)
Tim Doud, Zoë Charlton
Project Biographies (415–421)
Tim Doud, Zoë Charlton
Figures (423–425)
Tim Doud, Zoë Charlton
Biographies
Tim Doud received his MFA from The School of the Art Institute of Chicago. Exhibitions include Curator’s Office (Washington, DC), Tacoma Art Museum (Tacoma, WA), Kemper Contemporary Art Museum (Kansas City, MO), the Smithsonian’s National Portrait Gallery, PS1 Museum of Modern Art (New York City), Artists Space (New York City), the Frye Art Gallery (Seattle, WA), Art Basel, Galerie Brusberg (Berlin), MC Magma (Milan), and the Corcoran Gallery of Art (Washington, DC). He has received grants from The National Endowment for the Arts and The Pollock Krasner Art Foundation, and the DC Commission for the Arts and Humanities. He participated in residencies at Skowhegan School of Painting and Sculpture, the Banff Centre (Alberta, Canada), and the Sharpe/Walentas Studio Program (Brooklyn, NY). Doud is currently a Professor of Art at American University in Washington, DC and is co-founder of 'sindikit, a collaborative, research-centered art initiative.
Zoë Charlton creates figure drawings, collages, installations, and animations that depict her subjects' relationship to culturally loaded objects and landscapes. Charlton received her MFA from the University of Texas at Austin and participated in residencies at Artpace (Texas), McColl Center for Art + Innovation (North Carolina), and the Skowhegan School of Painting in Maine. Museum collections include The Phillips Collection in Washington, DC, Crystal Bridges Museum of American Art (Arkansas), Birmingham Museum of Art (Alabama), and Studio Museum (Harlem, NY). Charlton is a Professor of Art at American University in Washington, DC. She holds a seat on the Maryland State Arts Council, is a board member at the Washington Project for the Arts in Washington, DC, and is co-founder of 'sindikit, a collaborative, research-centered, art initiative.
Reviews
Tension and Endurance: The Year in Books from Baltimore/DC(opens in new tab)
Rebekah Kirkman
This weekend, my alma mater’s Open Studies division’s tweet got ratioed to hell for advertising an “intro to NFTs” workshop. As one person (out of hundreds) replying to the tweet put it, “Good to know that my tuition went to teaching future generations how to join a pyramid scheme and support the acceleration of the destruction of the planet for funny money.” (Criticism led to the workshop being canceled.) Universities and colleges are always changing things up, but never really in the ways that we want them to. Thank god for the good people and professors in art colleges who struggle against their institution’s dysfunction to actually prepare students for the real world. Out of Place, edited by Zoë Charlton and Tim Doud, lets artists and collectives working both within and outside of art academia examine the ways they teach and have been taught and how this informs their own practice. People familiar to BmoreArt readers, such as Charlton, Doud, Jordan Amirkhani, and George Ciscle, join a wide-ranging discussion about art and pedagogy in our present moment with other artists and scholars such as BFAMFAPhD’s Caroline Woolard and Susan Jahoda, Tiger Strikes Asteroid’s Alexis Granwell, and dozens more. Amirkhani sets the scene marvelously in the book’s foreword: “the state of our world is in a kind of emergency, and it is the university itself that connects to many of our social and public crises, specifically, white supremacy and capitalism. Universities are now million-dollar businesses, students are now customers, and aggressive marketing strategies and branding campaigns that continue to espouse the university as a common good, accessible and available to everyone, functions now more as mythos than fact.”
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Genres
- Art+Aesthetics
- Pedagogies
Keywords
- art collectives
- art curation
- art education
- exhibition spaces
- galleries
- pedagogy
