Skip to main content

Executive Orders

Organism for Poetic Research

  • Edited by Rachael Guynn Wilson, Andrew Michael Gorin

Published on June 9, 2025 by punctum books

SUBSCRIBE
Pages
250 pages
Languages
English
Dimensions
5⤫8 in.
ISBN (Paperback)
ISBN: 978-1-68571-278-5 (Paperback)
ISBN (PDF)
ISBN: 978-1-68571-279-2 (PDF)
LCCN
LCCN: 2025939054
BISAC subject codes
BISAC: POE005010, POE023060
Thema subject codes
THEMA: 1KBB, 3MRB, DCC, JPHC

After the election of Donald Trump in 2016, a group of poets, artists, and activists conceived of a project wherein they could respond to the sudden and seemingly relentless barrage of Trump’s dystopian executive orders with a series of their own orders. The project, titled “Executive Orders,” was envisioned as a collaborative, freeform, “emergency” prose poem that would generate real-time responses to current events and the emerging American political landscape. The result was a poetic catalog of the people’s executive orders—orders that are at turns serious, absurd, satirical, philosophical, critical, utopian, and so on.

Executive Orders began as one community’s effort to cope with and respond to the tidal wave of reactionary policies enacted or proclaimed during the years of Trump’s first administration. As an index of historical happenings that charts events in rough chronological order (including the Muslim-country travel ban, Black Lives Matter protests, the Brett Kavanaugh hearings, the youth climate march, the January 6th riot at the US Capitol, and many other events), it stands as a documentary record of this historical period from the perspective of artists, writers, leftists, progressives, and other contributors, many of them anonymous. Executive Orders is also an experiment in crowdsourced collaborative making that tells a story about the ways we can—and can’t—come together to form a collective that could have a voice in political deliberations.

Biographies

  • Organism for Poetic Research

    (Author)
    organismforpoeticresearch.org(opens in new tab)

    The Organism for Poetic Research is a platform for experimental poetics formed in 2011 by a group of poets, artists, and scholars centered in Lenapehoking/New York City. The OPR hosts events and readings, and produces multimedia publications, chapbooks, and an occasional journal, Pelt.

  • Rachael Guynn Wilson

    (Editor)

    Pratt Institute

    Rachael Guynn Wilson(opens in new tab) is a writer living in Brooklyn. Her work has appeared in 16 Poems for Philip Guston by Clark Coolidge (Container Corps, 2022), apricota, The Baffler, Brooklyn Rail, The Distance Plan, Hyperallergic, Jacket2, Matters of Feminist Practice (Belladonna* Series), Ritual and Capital (Bard + Wendy’s Subway), and elsewhere. She is a co-founder of the Organism for Poetic Research, a member of Belladonna* Collaborative, and Managing Editor at Litmus Press.

  • Andrew Michael Gorin

    (Editor)

    University of Haifa

    Andrew Michael Gorin(opens in new tab) is a writer, teacher, and emeritus co-director of the Organism for Poetic Research. He’s the author of Simple Location (above/ground, 2023) and Someone Like You (Gauss PDF, 2017), and his poetry and critical work have appeared in Chicago Review, Criticism, and The Brooklyn Rail, among other venues.

Endorsements

Rodrigo Toscano

author of Explosion Rocks Springfield, In Range, and The Charm & the Dread

Human Poetic Thinking (HPT) is superior to Prose Control Modelling (PCM) in a thousand ways. One of them is glitching: the inability to rocking-chair apprehend comprehension’s portraits of itself. Another is national value bar stool busting. Among the pieces (arranged as letters) on the mausoleum floors of history, are sensate faces. There’s a volume of HPT called Executive Orders intended for sensate faces. And that people read off-line, and that people feel off-line, are barricades erected against PCM. And attacks by PCM, like “In this sharp and irreverent collection…,” are easily picked off by sharpshooters of the American Salvage Socialist State. Happily, the few last onslaughts at capturing HPT with inputs like “this volume is a weapon of wit against the spectacle of state control” are instantly taken down. The Organism for Poetic Research wins!

Mark Nowak

author of Social Poetics and Shut Up Shut Down

Public installations, prosody, posters, people’s poetry, pedantics, pop art, postulations, political paronomasia, & much more, these poetic demands infiltrate the official vocabularies of the current corrupt regime and open new avenues for readers and writers to trample them. Get your marching boots on!

Juliana Spahr

author of An Army of Lovers, That Winter the Wolf Came, and Ars Poetica

When it is anything electoral, poetry tends to skew Democrat. Executive Orders seems to have started there as it arose out of the first Trump election, but then it kept going leftwards through Biden and then Trump again. Along the way, with an ununited voice and with a healthy indulgence in N+7 style reconfigurings, it became a joyous exploration of poetry’s potential for radical critique.

Usage metrics

Genres

  • Fabulations
  • Manifesto!
  • New Left Thought

Keywords

  • activism
  • collaborative writing
  • Donald J. Trump
  • executive branch of government
  • political poetry
  • social justice
  • United States of America