100 Chinese Silences
Timothy Yu
Published on October 5, 2024 by punctum books
Second edition
- Pages
- 152 pages
- Languages
- English
- Dimensions
- 6⤫9 in.
- ISBN (Paperback)
- ISBN: 978-1-68571-222-8 (Paperback)
- ISBN (PDF)
- ISBN: 978-1-68571-223-5 (PDF)
- LCCN
- LCCN: 2024946544
- BISAC subject codes
- BISAC: POE005010, POE009000
- Thema subject codes
- THEMA: 1FPC, 5PB-US-D, 6NE, DCC, DCF, JBCC7
There are one hundred kinds of Chinese silence: the silence of unknown grandfathers; the silence of borrowed Buddha and rebranded Confucius; the silence of alluring stereotypes and exotic reticence. These poems make those silences heard. Writing back to an “orientalist” tradition that has defined modern American poetry, these 100 Chinese silences unmask the imagined Asias of American literature, revealing the spectral Asian presence that haunts our most eloquent lyrics and self-satisfied wisdom. Rewriting poets from Ezra Pound and Marianne Moore to Gary Snyder and Billy Collins, this book is a sharply critical and wickedly humorous travesty of the modern canon, excavating the Asian (American) bones buried in our poetic language.
This title is a second edition, released as part of punctum’s Special Collections(opens in new tab) project.
Biographies
Timothy Yu is the author** of the poetry collection 100 Chinese Silences and three chapbooks: 15 Chinese Silences, Journey to the West, and, with Kristy Odelius, Kiss the Stranger. He is also the author of Diasporic Poetics: Asian Writing in the United States, Canada, and Australia (Oxford) and Race and the Avant-Garde: Experimental and Asian American Poetry since 1965 (Stanford). He is the editor of The Cambridge Companion to Twenty-First-Century American Poetry and Nests and Strangers: On Asian American Women Poets. His work has appeared in Poetry, The New York Times Magazine, Fence, and The New Republic. He is the Martha Meier Renk-Bascom Professor of Poetry and professor of English and Asian American studies at the University of Wisconsin-Madison, and serves as executive editor of Contemporary Literature.
Endorsements
John Yau
author of Further Adventures in Monochrome and Egyptian Sonnets
Timothy Yu’s first book of poems, 100 Chinese Silences, brims with sharp, angry, sarcastic and tender poems. He delivers dazzling lines with the deadpan wit and precise timing of Buster Keaton, the stone-faced master of silence. In fact, I had not realized until now—and I mean NOW—that Keaton is really the Timothy Yu of silent films, while Yu is Yu, a slayer of dragons, who knows the millions of sinister and inscrutable ways the Chinese have been silenced in blockbuster films, best-selling novels, Broadway musicals and award-winning poems read on NPR, and closely scrutinized in graduate classes and parking lots of Asian fusion take-out joints with funny names. Not only does Yu make Ezra Pound and Gary Snyder stand on their pointy heads in ways that are illuminating and funny, but he also skewers Jeb Bush, Billy Collins, Mary Oliver, Marianne Moore, and Eliot Weinberger right through their bright yellow Chinese hearts. You got to love a poet who can do that and never miss his mark. I present you with Timothy Yu, noble Chinese archer and master poet.
Sueyeun Juliette Lee
author of Aerial Concave without Cloud and Solar Maximum
In Timothy Yu’s hall of 100 “Chinese” poetic mirrors, puppies, blossoms, and hobbled feet clatter against the American grain, leaving wet prints as frowning emoji ciphers to rise up with a mighty bitch slap for Asian/American difference. These poems burn with gloriously wry disdain at the abundance of chinoiserie tinging modernist lineages of geopolitically “western” poetic traditions. By striking out at un-self-conscious performances of western cultural sophistication, Yu exposes these voices’ indebtedness to emptied “Chinese” images. I pleasure in his poetry’s mythic “10th century crystal penis,” how it penetrates western imaginative impotencies to see otherwise. He’s sharp, incisive, potty-mouthed, unapologetic, slippery, angry, urbane… His silences are fearsome and knowing. Fuck that yellow-faced hologram of Confucius! I want to hear what Timothy Yu has to say!
Robert Archambeau
author of Laureates and Heretics and The Poet Resigns: Poetry in a Difficult World
I can’t remember when I last read a book as necessary, and as wickedly fun, as Timothy Yu’s 100 Chinese Silences. Yu responds to, rewrites, and reforms a whole poetic tradition of Western representations of China and the Chinese, from Ezra Pound to Gary Snyder to Billy Collins. Yu wears his learning lightly, and his various parodies, pastiches, and campy retakes on the poetic tradition balance a love of the poetry he’s spent a career studying with a necessary critical edge. Our age demands a re-assessment of old representations of the “mysterious east,” and Timothy Yu has come through with exactly what we need.
Reviews
100 Chinese Silences(opens in new tab)
John Bradley
100 CHINESE SILENCES by TIMOTHY YU(opens in new tab)
John Bloomberg-Rissan
100 Chinese Silences(opens in new tab)
Matt Sutherland
Additional resources
Interview with the author
Usage metrics
Funding
- punctum books(opens in new tab)
Program: Special Collections
Genres
- Fabulations
Keywords
- American literature
- Asian American culture
- China
- cultural appropriation
- orientalism
- poetry
- racial stereotypes