Speculative Medievalisms: Discography
- Edited by Eileen A. Joy, Anna Kłosowska, Nicola Masciandaro, Michael O'Rourke, The Petropunk Collective
- Photographed by Öykü Tekten
Published on January 17, 2013 by punctum books
- Pages
- 316 pages
- Languages
- English
- Dimensions
- 5⤫8 in.
- ISBN (Paperback)
- ISBN: 978-0-615-74953-2 (Paperback)
- BISAC subject codes
- BISAC: HIS037010, PHI044000
- Thema subject codes
- THEMA: DSA, DSBB, QDHR7
Proceedings from the two Speculative Medievalisms symposia, held at King’s College London (Jan. 2011) and The Graduate Center, City University of New York (Sep. 2011), and organized by The Petropunk Collective (Eileen Joy, Anna Klosowska, Nicola Masciandaro, and Michael O’Rourke). These interdisciplinary events were dedicated to dialogue and cross-contamination between traditional concepts of speculatio, present-minded premodern studies, and contemporary speculative realist and object-oriented philosophies. In its medieval formulation, speculatio signifies the essentially reflective and imaginative operations of the intellect. Here the world, books, and mind itself are all conceived as specula (mirrors) through which the hermeneutic gaze can gain access to what lies beyond it. “To know is to bend over a mirror where the world is reflected, to descry images reflected from sphere to sphere: the medieval man was always before a mirror, both when he looked around himself and when he surrendered to his own imagination” (Giorgio Agamben, Stanzas). Correlatively, speculative realism, as the term suggests, is characterized by the self-contradictory intensity of a desire for thought that can think beyond itself — a desire that proceeds, like all philosophy, in a twisted and productive relation to the phantasm of the word.
Aiming to rise above and tunnel below the thought-being or self-world correlation, speculative realism “depart[s] from the text-centered hermeneutic models of the past and engage[s] in daring speculations about the nature of reality itself” (The Speculative Turn). Speculative Medievalisms, like some weird friar-alchemist in an inexistent romance, plays the erotic go-between for these text-centered and text-eccentric intellectual domains by trying to transmute the space between past and present modes of speculation from shared blindness to love at first sight. Possibly succeeding, the volume brings together the work of a motley crew of philosophers and premodernists into prismatic relation.
Contents
Frontmatter (i–xvi)
The Petropunk Collective
Speculative Medievalism: A Précis (i–xi)
The Petropunk Collective
Toy: Stories: Vita Nuda Then and Now? (1–13)
Kathleen Biddick
Cryptomnesia: Response to Kathleen Biddick (15–26)
Eileen Joy, Anna Klosowska
Divine Darkness (27–38)
Eugene Thacker
Per Speculum in Aenigmate: Response to Eugene Thacker (39–44)
Nicola Masciandaro
The Speculative Angel (45–64)
Anthony Paul Smith
Lapidary Demons: Response to Anthony Paul Smith (65–71)
Ben Woodard
Abstraction and Value: The Medieval Origins of Financial Quantification (73–91)
Nick Srnicek
Srnicek's Risk: Response to Nick Srnicek (93–101)
Michael O'Rourke
Neroplatonism (103–120)
Scott Wilson
Speculative Portfolio: Photographs
Öykü Tekten
Transmission by Sponge: Aristotle's Poetics (121–141)
Anna Kłosowska
Cosmic Eggs, or Events Before Anything (143–157)
J. Allan Mitchell
Abusing Aristotle (159–172)
Kellie Robertson
Lynx-Eyed Aristotle: Response to Kellie Robertson (173–178)
Drew Daniel
Shakespeare's Kitchen Archives (179–200)
Julian Yates
A Recipe for Disaster: Practical Metaphysics: Response to Julian Yates (201–205)
Liza Blake
Sublunary (207–218)
Jeffrey Jerome Cohen
Casting Speculation: Response to Jeffrey Jerome Cohen (219–226)
Ben Woodard
Aristotle with a Twist (227–253)
Graham Harman
Three Notes, Three Questions: Response to Graham Harman (255–260)
Patricia Ticineto Clough
Obiectum: Closing Remarks (261–270)
Nicola Masciandaro
Backmatter (271–271)
The Petropunk Collective
Biographies
Eileen A. Joy teaches at Southern Illinois University Edwardsville and her main interests are in Old English literature, cultural studies, embodied affectivities, ethics, and the post/human. She is the founder and co-editor of postmedieval: a journal of medieval cultural studies(opens in new tab) and the Lead Ingenitor of the BABEL Working Group(opens in new tab). She is also the co-editor of The Postmodern Beowulf (West Virginia University Press, 2007) and Cultural Studies of the Modern Middle Ages (Palgrave, 2007).
Anna Kłosowska is Associate Professor of French at Miami University, editor of Madeleine de l’Aubespine, Selected Poems and Translations (Chicago, 2007) and Queer Love in the Middle Ages (Palgrave, 2005), and editor of Violence Against Women in Medieval Texts (Florida, 1998). Author of over 20 articles on queer theory and premodern literature, she is also on the editorial board of Glossator: Practice and Theory of the Commentary.
Nicola Masciandaro teaches at Brooklyn College, is the author of The Voice of the Hammer: The Meaning of Work in Middle English Literature (Notre Dame, 2006), and is also founder and co-editor of Glossator: Practice and Theory of the Commentary(opens in new tab). He has published widely on medieval philosophy, mysticism, individuation, geophilosophy, beheading, sorrow, spontaneity, and metal music, among other subjects.
Michael O’Rourke lectures in the School of Psychotherapy at Independent Colleges, Dublin, Ireland and works mostly at the intersections between Queer Theory and Continental Philosophy. He has published over forty articles and book chapters, has co-convened The(e)ories: Advanced Seminars for Queer Research since 2002, and is the series editor of the Queer Interventions book series at Ashgate Press and of the Cultural Connections: Key Thinkers and Queer Theory book series at the University of Wales Press.
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Genres
- Cultural Studies+Critical Theory
- Literary Studies
- Premodern
Keywords
- medieval studies
- object-oriented philosophy
- speculative philosophy
- speculative realism
