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Works for Works, Book 2: "No Rights"

Gavin Keeney

Published on March 25, 2026 by punctum books

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Pages
284 pages
Languages
English
Dimensions
5⤫8 in.
ISBN (Paperback)
ISBN: 978-1-68571-180-1 (Paperback)
ISBN (PDF)
ISBN: 978-1-68571-181-8 (PDF)
ISBN (EPUB)
ISBN: 978-1-68571-309-6 (EPUB)
LCCN
LCCN: 2026934018
BISAC subject codes
BISAC: LAW050000, PHI001000, POL023000
Thema subject codes
THEMA: ABA, KCP, LNR

Works for Works, Book 2: “No Rights,” privileges works-based agency (praxis) in literary-artistic scholarship. The principal focus of the Franciscan-inspired embrace of a “no rights” status for works of literary-artistic scholarship is toward freeing both author and works from forms of technocratic determinism and neo-utilitarianism associated with regimes of intellectual property rights law and platform cultures. Engaging, and then dispensing with, the concept of “the artistic exception,” a holdover from modernist justifications for art in/for itself, Works for Works nonetheless restores the primacy of the work itself through disconnecting author and work toward a transfiguration of both author and work and the substantiation of a new ecosystem for radical works of artistic-critical inquiry.

Works for Works, Book 2: “No Rights,” follows upon Works for Works, Book 1: Useless Beauty(opens in new tab) (2022), a structuralist-inspired survey and exposé of the immanentist paradox artist-scholars inhabit in the post-contemporary transition from modernist and post-modernist reflexivity to forms of cultural production that favor no singular raison d’être nor socio-cultural, socio-economic, or socio-political bias.

Also in this set

This book is part of a 2-volume set. Other volumes in the set are:

Biographies

  • Gavin Keeney

    (Author) (opens in new tab)

    Research Centre of the Slovenian Academy of Sciences and Arts

    Gavin Keeney completed a research doctorate in Architecture at Deakin University, Australia in 2014 on the subject of “Visual Agency in Art and Architecture,” inclusive of the monographs, Dossier Chris Marker: The Suffering Image (Cambridge Scholars, 2012), and Not-I/Thou: The Other Subject of Art and Architecture (Cambridge Scholars, 2014). Post-doctoral publications include Knowledge, Spirit, Law, Book 1: Radical Scholarship(opens in new tab) (punctum, 2015), Knowledge, Spirit, Law, Book 2: The Anti-capitalist Sublime(opens in new tab) (punctum, 2017), and Works for Works, Book 1: Useless Beauty(opens in new tab) (punctum, 2022). He has taught and lectured in the US, England, Germany, Slovenia, Australia, and India. Research for Works for Works, Book 2: “No Rights” was carried out under the auspices of a PhD in Philosophy at the Postgraduate School, ZRC SAZU, Ljubljana, Slovenia, 2021–2023, with research on why El Greco is considered a Franciscan artist conducted in Venice, Italy, through a co-funded research fellowship sponsored by the American Philosophical Association’s Berry Fund for Public Philosophy and the Giorgio Cini Foundation’s Centre for Comparative Studies of Civilisations and Spiritualities.

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Genres

  • Capital+Lucre
  • Humanities+University

Keywords

  • anti-capitalism
  • cognitive capitalism
  • intellectual property
  • knowledge commons
  • moral rights
  • philosophy of art
  • political economy