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Œ Case Files, Vol. 01

  • Edited by Simone Ferracina

Published on May 13, 2021 by punctum books

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Pages
302 pages
Languages
English
Dimensions
7⤫10 in.
ISBN (Paperback)
ISBN: 978-1-953035-22-6 (Paperback)
ISBN (PDF)
ISBN: 978-1-953035-23-3 (PDF)
LCCN
LCCN: 2020950250
BISAC subject codes
BISAC: ARC001000
Thema subject codes
THEMA: AMA, AMCR

Over the past ten years, the journal Organs Everywhere(opens in new tab) (Œ) has promoted conversations that approach architectural design from the edges of the discipline—testing its boundaries, technologies, methods and (e)valuation systems, and keeping them unstable. It has valued transdisciplinary, speculative, and irreverent explorations over strict publishing formats and academic purity, promoting a profanatory and open-ended ethos.

Each issue of Organs Everywhere has strung together disparate organs and limbs, activating precarious couplings and associations, and testing new metabolisms and assemblages. Œ Case Files continues this commitment to the making and unmaking of monsters, both by anthologising past contributions into fresh configurations and designs, and by combining them with entirely new articles and voices. Here, philosophers, designers, experimental architects, artists, science fiction writers, activists, and poets shift, expand, and re-imagine notions of space, time, inhabitation, technology, knowledge, use, value, and experience. A patchwork of essays, stories, design experiments, buildings, art installations, drawings, prose poems, photographs and speculative projects collide in the book, infecting simple disciplinary orthodoxies with doubt and potentials, uncertainty and hope—indecisive photons and softness; metatactility and haunted houses; neurodiversity and protocells; prosthetics, grease and darkness; post-human scenographies, software and GPS anklets; anthropocenic devices, paprika, and synthetic biology.

Contents

  1. Frontmatter (1–5)

    Simone Ferracina

  2. Introduction: Architecture as Moving Boundaries (6–7)

    Simone Ferracina

  3. Turning into the Night: Embodied, Expansive Practices for Inhabiting Earth’s SpinTilt (8–21)

    smudge studio

  4. Modern Lovers (23–41)

    Stuart Munro

  5. Not at a Distance: On Touch, Synesthesia, and Other Ways of Knowing (42–93)

    Erin Manning

  6. The Brick Dialogues (extract) (94–106)

    Rolf Hughes

  7. Liquid (107–121)

    Rachel Armstrong

  8. I Want to Live inside This Monster: Haunted Houses and Ecological Design (122–135)

    Ben Woodard

  9. Weatherizing: 13178 Moran Street. Detached Garage. Detroit, 2010. (136–159)

    Catie Newell

  10. Hacking Light (160–173)

    Zenovia Toloudi

  11. Orchestrating the Edge: On Schizophrenic Points and Indecisive Photons (174–187)

    Thomas Pearce

  12. The Geomorphology of Cyborgian Geography (189–209)

    Neil Spiller

  13. Prosthetic Parliament (210–211)

    Greg Barton

  14. The Scan: Prototypes for a Post-Human Sceenography (212–237)

    Bob Sheil, Thomas Pearce

  15. Alessandro de Francesco: Augmented Writing (238–251)

    Brunella Antomarini

  16. Software Is the Message (252–258)

    Lev Manovich

  17. Keep Calm and Be Counted: Electronic Monitoring’s Evolving Effects across Scales of Time and Space (260–271)

    Jordan Geiger, Raphael Sperry

  18. The Living Prosthesis: Limits of Human Bearability (272–283)

    Ling Tan

  19. Prototypes for a Shifting Baseline (284–289)

    Miriam Simun

  20. Zoological Laboratory: Redux (290–297)

    Joyce Hwang

Biographies

  • Simone Ferracina

    (Editor) (opens in new tab)

    University of Edinburgh

    Simone Ferracina is a Lecturer in Architectural Design/Detail at the Edinburgh School of Architecture and Landscape Architecture (ESALA), University of Edinburgh, where his research and teaching investigate radical modes of co-authorship, the reactivation of wastes, and metabolic design. Simone received a PhD in Philosophy, Art & Critical Thought from the European Graduate School. He is the founder and editor of the online journal Organs Everywhere (Œ), and he has published, performed, and exhibited work internationally. Simone has also published a monograph on design potentials and radical reuse, Ecologies of Inception: Design Potentials on a Warming Planet (Routledge, 2022). Prior to joining the University of Edinburgh, Simone was a researcher at Newcastle University and, for over a decade, an Associate and Project Manager/Architect at Richard Meier & Partners Architects in New York City, with award-winning projects in Italy, Czech Republic, and Taiwan.

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Genres

  • Art+Aesthetics
  • Built Environments
  • Media+Technology

Keywords

  • animal architecture
  • Anthropocene
  • atmosphere
  • augmented reality.
  • design theory
  • ecological design
  • embodiment
  • experimental architecture
  • internet-of-things
  • living technology
  • monstrosity
  • neurodiversity
  • philosophy
  • post-human scenography
  • prosthesis
  • prototyping
  • Soft architecture
  • software
  • speculative design
  • synaesthesia