The Funambulist Papers, Volume 1
- Edited by Léopold Lambert
Published on October 23, 2013 by punctum books
- Pages
- 210 pages
- Languages
- English
- Dimensions
- 5⤫8 in.
- ISBN (Paperback)
- ISBN: 978-0-615-89718-9 (Paperback)
- BISAC subject codes
- BISAC: ARC001000
- Thema subject codes
- THEMA: AMA, DNL
This book is a collection of thirty-five texts from the first series of guest writers’ essays, written specifically for The Funambulist(opens in new tab) weblog from June 2011 to November 2012. The idea of complementing Lambert’s own texts on his blog with those written by others originated from the idea that having friends communicate with each other about their work could help develop mutual interests and provide a platform to address an audience. Thirty-nine authors of twenty-three nationalities were given the opportunity to write essays about a part of their work that might fit with the blog’s editorial line. Overall, two ‘families’ of texts emerged, collected in two distinct parts in this volume.
The first part, The Power of the Line, explores the legal, geographical and historical politics of various places of the world. The second part, Architectural Narratives, approaches architecture in a mix of things that were once called philosophy, literature and art. This dichotomy represents the blog’s editorial line and can be reconciled by the obsession of approaching architecture without care for the limits of a given discipline. This method, rather than adopting the contemporary architect’s syndrome that consists in talking about everything but being an expert in nothing, attempts to consider architecture as something embedded within (geo)political, cultural, social, historical, biological, and dromological mechanisms that widely exceed what is traditionally understood as the limits of its expertise.
Contents
Frontmatter (i–vi)
Walking on a Tight Rope: Introduction (6–7)
Léopold Lambert
Entropy, Law, and Funambulism (11–13)
Lucy Finchett-Madock
The Clear-Blurry Line (14–18)
Daniel Fernández Pascual
Post-Political Attitudes on Immigration, Utopias and the Space Between Us (19–22)
Ethel Baraona Pohl, Cesar Reyes
The Mosque: Religion, Politics and Architecture in the 21st Century (23–26)
Michael Badu
Nothing to Hide (27–31)
Mariabruna Fabrizi, Fosco Lucarelli
Briefly on Walking (32–36)
Caroline Filice Smith
Femicide Machine/ Backyard (37–42)
Greg Barton
Becoming Fugitive: Carceral Space and Rancierian Politics (43–50)
Maryam Monalisa Gharavi
My Dear Francis...What Kind of Phoenix Will Arise From These Ashes? (51–54)
Nikolas Patsopoulos
Movement and Solidarity (55–58)
Zayd Sifri
Open Stacks (59–61)
Liduam Pong
A Visit to the Old City of Hebron (62–65)
Raja Shehadeh
Lahore's Architecture Of In/ Security (66–76)
Sadia Shirazi
Ruin Machine (77–81)
Bryan Finoki
The Textual-Sonic Landscape of Jacques Perret's Des Fortifications Et Ertifices (82–91)
Morgan Ng
Mapping Intervals: Towards an Emancipated Cartography (92–104)
Nora Akawi
The Funambulist Atmosphere (108–111)
Andreas Philippopoulos-Mihalopoulos
Apian Semantics (112–117)
Matthew Clements
Dissolving Minds and Bodies (118–120)
Hiroko Nakatani
Thoughts on Meta-Virtual Solipsism (121–124)
Fredrik Hellberg
Old Media's Ressurection (125–128)
Linnéa Hussein
Cinematic Catalysts: Contempt + Casa Malaparte (129–132)
Danielle Willems
Off the Grid Left Out and Over (133–137)
Carl Douglas
Transcendent Delusion Or; The Dangerous Free Spaces of Phillip K. Dick (138–141)
Martin Byrne
The Possible World of Architecture (142–146)
Claire Jamieson
Pet Architecture: Human's Best Friend (147–155)
Carla Leitão
Bread and CIrcus: Agorae Vs Arenas (156–159)
Eduardo McIntosh
Motion Architecture (160–163)
Oliviu Lugojan-Ghenciu
Fibrous Assemblages and Behavioral Composites (164–167)
Roland Snooks
Unfolding Azadi Tower: Reading Persian Folds Through Deleuze (168–172)
Biayna Bogosian
Twin (Technology/Art Induced) Architectural Daydreams (173–177)
Esther Sze-Wing Cheung
DIY: Biopolitics: The Deregulated Self (178–182)
Russel Hughes
Two Questions for Seher Shah (183–187)
Alexis Bhagat
The Groundbraking Clarity of Ryan and Trevor Oakes (188–194)
Eve Bailey
Would Have Been...An Inventory (195–201)
Camille Lacadée
Backmatter (203–210)
Also in this set
This book is part of a 2-volume set. Other volumes in the set are:
Biographies
Léopold Lambert (born in 1985) is a French architect who successively lived in Paris, Hong Kong, and Mumbai and currently resides in New York. His approach to architecture consists in a delicate articulation between theoretical research and a frank enthusiasm for design. Such an articulation has been explicated in his book Weaponized Architecture: The Impossibility of Innocence(opens in new tab) (dpr-barcelona, 2012), which attempts to examine the characteristics that make architecture an inherent political weapon through global research as well as an architectural project specific to the Israeli civil and military occupation of the West Bank. He is also the author of the graphic novel, Lost in the Line(opens in new tab). He finds his architectural inspiration from films, novels, and political philosophy books, rather than in architectural theory texts. He is currently collaborating with Madeline Gins for her Reversible Destiny Foundation(opens in new tab) (created with the late Arakawa) whose philosophical and architectural work is highly influential upon the role of architecture in relation to the human body.
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Genres
- Built Environments
- Cultural Studies+Critical Theory
Keywords
- architecture
- cultural studies
- design
- geopolitics
- theory
