Published: 03/28/2025
In the 1950s, Yvonne Rainer, Simone Forti, and a handful of other young artists based in New York’s Greenwich Village set out to challenge the practices and principles of professionalized dance. Inspired by the groundbreaking work of choreographers Anna Halprin, Robert Dunn, and Merce Cunningham, as well as composer John Cage, they were determined to[…]
Imprint: Advanced Methods
Published: 03/21/2025
Mourning the Ends: Collaborative Writing and Performance is an opening, a beginning, an attempt to rethink how we can be, think, and work together. This book, authored by a multitude, explores new methodologies of collaborative scholarship for the arts and humanities within the context of the various ecological, medical, military, and epistemic ends facing the[…]
Published: 02/28/2025
In the contemporary West, the elderly are regarded as somehow “other,” no longer who they used to be, no longer full members of the worlds they once inhabited. Being old is seen as a medical management issue. But old age is not a defective version of what preceded it; it is — like childhood, adolescence,[…]
FORTHCOMING Spring 2025
In Becoming Afro-Dutch, artist, curator, and researcher Charl Landvreugd argues that we do not yet have a language to understand Afro-Dutchness, and that it is insufficient to rely on the discourses developed in African American, Afro-British, or Caribbean cultural theory alone. This critical monograph on continental European Black art and cultural history articulates the specificity[…]
Published: 10/27/2024
When it comes to the political, acts of redaction, erasure, and blacking out sit in awkward tension with the myth of transparent governance, borderless access, and frictionless communication. But should there be more than this brute juxtaposition of truth and secrecy? Redacted: Writing in the Negative Space of the State brings together essays, poems, artwork,[…]
FORTHCOMING Summer 2025
These writings spring from an observation: When migraine arises, the voice fails. It does so on many levels, ranging from a vocal-technical disintegration to migraine-specific symptoms like dysarthria and aphasia, up to the muteness forced upon the sufferer by stigmatization. As a migraine-suffering singer, Marsike Broeckmeyer witnesses and experiences these alterations. Frequently, routinely, and almost[…]
FORTHCOMING Spring 2025
Janky materiality works by not working. It is the spirit in the machine, the ghost in language, the provisional operation. It is a musicological poetics run through a patchwork apparatus. Janky Materiality: Artifice & Interface is a transdisciplinary performative critical investigation of analog–digital interface and materiality, language-oriented poetry and digital language art, experimental electronic music[…]
FORTHCOMING Summer 2025
Sonic detection is a framework for open-ended, collaborative intellectual and creative practice. Sonic Detection is situated at the intersection of sound studies, performance studies, and interdisciplinary writing. It emerges from a decade-long working partnership between the two authors, Rebecca Collins and Johanna Linsley, which began as a slowly evolving series of eavesdropping on the east[…]