FORTHCOMING Summer 2017
The fifth volume of the Journal of Badiou Studies, “Architheater,” energized by the publication of Badiou’s Rhapsodie pour le théâtre (2014), knits together distinguished approaches to artistic production engaging with the work of Alain Badiou: ‘Engaging’ here means articulated positions that include, imply, or criticize the Badiouiesque corpus. The issue does not therefore seek to implement Badiou’s philosophical[…]
FORTHCOMING Summer 2017
Representations of forensic procedures saturate popular culture in both fiction and true crime. One of the most striking forensic tools used in these narratives is the chemical luminol, so named because it glows an eerie greenish-blue when it comes into contact with the tiniest drops of human blood. Luminol is a deeply ambivalent object: it[…]
Published: 05/26/2017
Read Christian Hite’s “Intro-extro-duction” and J. Hillis Miller’s “Preposterous Preface” Here! Coming from behind (derrière)—how else to describe a volume called “Derrida and Queer Theory”? — as if arriving late to the party, or, indeed, after the party is already over. After all, we already have Deleuze and Queer Theory and, of course, Saint Foucault.[…]
FORTHCOMING Autumn 2017
Religion is much queerer than we ever imagined. Nature is as well. These are the two basic insights that have led to this volume: the authors included here hope to queerly go where no thinkers have gone before. The combination of queer theory and religion has been happening for at least 25 years. People such[…]
Imprint: Dead Letter Office
Published: 05/15/2017
Read J. Hillis Miller’s Chapter Here! Read Vincent W.J. van Gerven Oei’s Postface Here! In 1980, Jacques Derrida published La carte postale: De Socrate à Freud et au-delà. At the occasion of the 30th anniversary of the English translation, Going Postcard: The Letter(s) of Jacques Derrida revisits this seminal work in Derrida’s oeuvre. Derrida himself described The Post Card in his preface as[…]
Published: 01/31/2017
Read an Excerpt from Everday Cinema Here! Everyday Cinema presents the films (eight features and numerous shorts, computational, and installation films) of Marc Lafia. In his many films (including Exploding Oedipus; Love and Art; Confessions of an Image; Revolution of Everyday Life; Paradise; Hi, How Are You Guest 10497; and 27) Lafia probes what it is to construct an[…]
Imprint: Dead Letter Office
Published: 03/02/2017
Read an Excerpt from Kill Boxes Here! Kill Boxes addresses the legacy of US-sponsored torture, indefinite detention, and drone warfare by deciphering the shocks of recognition that humanistic and artistic responses to violence bring to consciousness if readers and viewers have eyes to face them. Beginning with an analysis of the ways in which the[…]
Published: 12/21/2016
Read an Excerpt of Deleuze and the Passions HERE! In recent years the humanities, social sciences and neuroscience have witnessed an ‘affective turn,’ especially in discourses around post-Fordist labor, economic and ecological crises, populism and identity politics, mental health, and political struggle. This new awareness would be unthinkable without the pioneering work of Gilles Deleuze, who[…]