Autotheory and Its Others

FORTHCOMING Winter 2026

Ever since Maggie Nelson’s Argonauts gave the word fresh currency a decade ago, autotheory has infiltrated scholarly, literary, and artistic practices. Autotheory and Its Others contributes to this nascent metacritical conversation. An inclusive discourse, autotheory embraces its uncanny double, allotheory, and, thus, this collection invites to the table a host of uncanny others: psychoanalysis, queer[…]

A Refuge for Jae-in Doe and Other Fugues

FORTHCOMING Spring 2026

A Refuge for Jae-in Doe and Other Fugues is the lyric memoir of Korean American survivor Seo-Young (Jennie) Chu. It is also a meta-memoir, one that is aware of its makeshift nature, poses questions about the genre(s) it inhabits, and self-consciously reflects on what it means to write autobiographically. Throughout the book, Chu experiments with[…]

Mourning the Ends: Collaborative Writing and Performance

Imprint:

FORTHCOMING Autumn 2024

Mourning the Ends: Collaborative Writing and Performance is an opening, a beginning, an attempt to rethink how we can be, think, and work together. This book, authored by a multitude, explores new methodologies of collaborative scholarship for the arts and humanities within the context of the various ecological, medical, military, and epistemic ends facing the[…]

Out of Place: Artists, Pedagogy, and Purpose

Published: 10/28/2021

Broad in scope, Out of Place: Artists, Pedagogy, and Purpose presents an overview of the different paths taken by artists and artist collectives as they navigate their way from formative experiences into pedagogy. Focusing on the realms in- and outside the academy (the places and persons involved in post-secondary education) and the multiple forms and[…]

The Humid Condition: (More) Overheated Observations

Published: 03/05/2020

A Zibaldone for the Twitter age. An Anatomy of Mischievous Melancholy. A Commonplace book of uncommon opinions An avalanche of apposite apercus. An inventory of inappropriate malaproprisms. Buying raw milk from the back of a truck in Manhattan is a bit like a drug deal in Breaking Bad, except instead of guns and gangsters you[…]