FORTHCOMING Winter 2026
Ever since Maggie Nelson’s Argonauts gave the word fresh currency a decade ago, autotheory has infiltrated scholarly, literary, and artistic practices. Yet Lauren Fournier’s Autotheory as Feminist Practice in Art, Writing, and Criticism is the only book on the topic to appear so far. Autotheory and Its Others, the field’s first multi-authored essay collection, contributes[…]
FORTHCOMING Spring 2026
In this lyric memoir, Seo-Young Chu experiments with using literary fugues to explore the literal and figurative “fugue states” — from spells of incantatory writing to oneiric re-namings of the self — in which she has found refuge from abuse, intergenerational distress, and rape trauma. The voices animating the fugues in A Refuge for Jae-in[…]
Imprint: Advanced Methods
FORTHCOMING Autumn 2024
Mourning the Ends: Collaborative Writing and Performance is an opening, a beginning, an attempt to rethink how we can be, think, and work together. This book, authored by a multitude, explores new methodologies of collaborative scholarship for the arts and humanities within the context of the various ecological, medical, military, and epistemic ends facing the[…]
Published: 10/28/2021
Broad in scope, Out of Place: Artists, Pedagogy, and Purpose presents an overview of the different paths taken by artists and artist collectives as they navigate their way from formative experiences into pedagogy. Focusing on the realms in- and outside the academy (the places and persons involved in post-secondary education) and the multiple forms and[…]
Published: 03/05/2020
A Zibaldone for the Twitter age. An Anatomy of Mischievous Melancholy. A Commonplace book of uncommon opinions An avalanche of apposite apercus. An inventory of inappropriate malaproprisms. Buying raw milk from the back of a truck in Manhattan is a bit like a drug deal in Breaking Bad, except instead of guns and gangsters you[…]