This extraordinary book—combining memoir, social critique, and theology—explores the incarnated life of queer radicalism and Catholic devotion as challenges to the bland and puritanical gentrification that has overtaken New York. Strouse manages to be honest, funny, and obscene without irony or cynicism. Indeed, the whole point of the book is to resist the way liberal capitalism encourages detachment. In its place, Strouse searches for an Augustinian mysticism that integrates carnality and spirituality, an erotic attachment to God and to other people that goes beyond tolerance to the fullness of love.

~ William T. Cavanaugh, author of Being Consumed: Economics and Christian Desire.

This book, like Strouse himself, is impossible to categorize. Whether you are progressive or conservative, atheist, or Christian, a New York City lover or hater, it will outrage you in some way. And that’s exactly why you should read it.

~ Molly Worthen, author of Apostles of Reason: The Crisis of Authority in American Evangelicalism.

This is the book we deserve—one that unmoors us from our narcissistic presentism and knocks us out, fragment by fragment, into the ways we’ve allowed ourselves to be so preoccupied with the bullshit of the world we’ve made, that we are missing the larger threads that bind us so very queerly to the past. Strouse leaves us sifting through the fragments. And maybe that is, in fact, the City of God—the perversity of our humanness, doubling as our perversity in demanding coherence, but not being able to do more than build the Tower of Babel and experience again the disarray of language.

~ Jonathan Alexander, author of Bullied: The Story of an Abuse and Dear Queer Self

The Gentrified City of God is like reading St. John the Baptist—many readers will want to cut Strouse’s head off! Prophetic, furious, and funny, this book provokes serious thought with an Oscar Wilde-like mix of humor and criticism that challenged me to meditate on my own spiritual journey.

~ Stephen Adubato, National Catholic Reporter

Such a rich book historically, theoretically, and emotionally. A razor-sharp line of critique that energizes the reader to listen and think.

~ Nerve V. Macaspac, author of Spatialities of Peace Zones: Cooperation and Conflict

Built like a city from short, delightful, strange, and cutting mini-theses—drawn from queer urban places and pious promiscuous practices connected by gentrification, queer radicalism, and Catholic devotion, with AIDS, New York City, St. Vincent’s Hospital, and precarious medieval intellectual labor at its core—The Gentrified City of God shines bright with radical gay love, infinite queer goodness, the joys and perils of sex and sins, through wicked smart cultural and theocratic criticism of texts as diverse as Pose, Pilgrim’s Progress, and “Papa Don’t Preach.” A delightful, uplifting, and raucous read.

~ Alexandra Juhasz, co-author of We Are Having this Conversation Now: The Times of AIDS Cultural Production

The Gentrified City of God: Queer & Medieval New York, from 9/11 to COVID-19

The United States is a spiritual wasteland—a two-party dictatorship that worships money and that eats human beings alive, where racial and gender oppression attack the body, and where partisan polarization stifles the mind. In this dreary context, A.W. Strouse pursues a life of sin and salvation. As a queer scholar of the Middle Ages and a promiscuous gay Catholic in New York City, Strouse takes Saint Augustine as a guide for turning the personal confession into a critical meditation on gentrified urban space.

The Gentrified City of God narrates Strouse’s own spiritual quest in order to develop a queer-medievalist lens for understanding how white Christian nationalism is turning urban space into a puritanical discipline of moralistic detachment. Mixing first-person confession with cultural criticism, Strouse tours through gentrified spaces—gay bathhouses, Brooklyn ghettos, demolished Churches, and corporate universities—exploring how sex and spiritually intersect, in art and architecture, poetry and public policy.

By closely examining the city from a first-person, queer-medieval vantage—communing with St. Patrick’s Cathedral, the HIV/AIDS Memorial, and St. Vincent’s Hospital, along with rap lyrics, Donald Trump, and paintings by Kehinde Wiley, and even folding in Strouse’s own bad romances and precarious academic labor conditions—The Gentrified City of God seeks to uncover a secret redemption that may yet lie within the brokenness of U.S. society, and to probe the mysteries of good and evil that reside within the heart of New York City.