FORTHCOMING Spring 2022
dis/cord is an experiment in reading sound. Embarking from Karen Barad’s early work on agential realism, it diffracts quantum physics through sound art, finding the sympathetic resonances that allow them to speak together. dis/cord believes in the materialism of sound, and strives not to understand it, but to become entangled with it. It asserts that[…]
Imprint: Dead Letter Office
FORTHCOMING Spring 2022
In the face of rising authoritarianism and on the heels of urgent struggle, autonomy calls to us. How might we excavate the theory and history of autonomous politics to arrive at new possibilities for radical democracy and the radical imaginary? How can we rethink the ways in which artistic autonomy is theorized and practiced beyond[…]
FORTHCOMING Winter 2022
The link between language and thought formed a major new exploration of the twentieth century philosophy. Languages nuance our ideas and perceptions. Though from various angles, Heidegger, Derrida, Wittgenstein forged new ways of understanding the relationship between our views of the external world and our culturally and linguistically pre-determined modes of expression. Another giant in[…]
Imprint: Dead Letter Office
FORTHCOMING Fall 2021
This book is a dialogue between two friends, both notable arts critics, that takes the form of a series of letters about movies and religion. One of the friends, J.M. Tyree, is a film critic, creative writer, and agnostic, while the other, Morgan Meis, is a philosophy PhD, art critic, and practicing Catholic. The question[…]
Imprint: Dead Letter Office
Published: 04/06/2021
Come As You Are, After Eve Kosofsky Sedgwick brings together two pieces of writing. In the first, “After Eve Kosofsky Sedgwick,” Jonathan Goldberg assesses her legacy, prompted mainly by writing about Sedgwick’s work that has appeared in the years since her death in April 2009. Writing by Lauren Berlant, Jane Gallop, Katy Hawkins, Scott Herring,[…]
Imprint: Speculations
Published: 07/30/2020
From the Editorial Introduction: If the first volume of Speculations was enough of an explicit wager, a willing blind leap in the terra incognita of the publishing world, then this volume forces us to stop and evaluate the reasons for the journal’s protracted existence. This is all the more important when we consider how the[…]
Imprint: Speculations
Published: 07/30/2020
From the Editorial Introduction: Since I am convinced that nobody reads editorials I will keep my remarks brief. Putting together the inaugural issue of Speculations has been an unusual experience. It has depended on the collusion of fellow speculative types, the help of many anonymous reviewers, the endless patience of designer Thomas Gokey, and more[…]
Imprint: 3Ecologies Books
Published: 02/18/2021
What if all works of art were better understood as functioning apparatuses, entangling their human audiences in experiences of becoming? What if certain works of art were even able to throw the brakes on becoming altogether, making nothings rather than somethings? What would be the ethical value of making nothing, of stalling becoming; and how[…]