Lauren Berlant

Lauren Berlant is George M. Pullman Professor of English at the University of Chicago. Her national sentimentality trilogy — The Anatomy of National Fantasy (Chicago, 1991), The Queen of America Goes to Washington City (Duke, 1997), and The Female Complaint (Duke, 2008) — has now morphed into a quartet, with Cruel Optimism (Duke, 2011) addressing precarious publics and the aesthetics of affective adjustment in the contemporary U.S. and Europe. A co-editor of Critical Inquiry, she is also editor of Intimacy (2000); Our Monica, Ourselves: The Clinton Affair and the National Interest (2001, with Lisa Duggan); Compassion: The Culture and Politics of an Emotion (2004); On the Case (special issue of Critical Inquiry, 2007); and Reading Sedgwick (Duke, 2019). She blogs at Supervalent Thought and is also a founding member of the art/activist group Feel Tank Chicago.

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