FORTHCOMING Summer 2025
At the beginning of the 21st century, many of our most well-known and dependable forms of keeping, managing, and representing time are losing their grasp on the real. Clocks cannot measure how societies speed up, or come to a standstill during crisis, modern historiography is unable to come up with meaningful narratives about mankind as[…]
Published: 10/26/2023
Artificial Earth: A Genealogy of Planetary Technicity offers an intellectual history of humanity as a geological force, focusing on a prevalent contradiction in the Anthropocene discourse on global environmental change: on the one hand, it has been argued that there are hardly any pristine environments anymore, to the degree that the concept of nature has[…]
Imprint: Dead Letter Office
FORTHCOMING Spring 2024
Burning Diagrams in Anthropology examines the use of diagrams in anthropology to re-imagine how we think about, and challenge, intellectual histories. Highlighting the impossibility of escaping what different disciplines and institutions deem to be “past,” the author combines critical analysis of selected diagrams with an expansive, exploratory re-immersion in their aesthetic, ethical, and political potential.[…]
Imprint: Advanced Methods
Published: 09/15/2022
What does it mean to “speak for the social” in projects of technical and infrastructural change? This is the problem that the contributors to Speaking for the Social: A Catalogue of Methods set out to explore through a series of creative interventions that reimagine the role for qualitative social science in understanding and shaping design[…]
Published: 06/17/2021
Cinema’s Doppelgängers is a counterfactual history of the cinema — or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it’s a history of the movies written from an alternative unfolding of historical time – a world in which neither the Bolsheviks nor the[…]
Published: 03/29/2019
On the unstable boundaries between “interior” and “exterior,” “private” and “public,” and always in some way relating to a “beyond,” the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of modernity. The wide variety of interior spaces elicited in literature — from the odd room over the[…]
Imprint: eth press
Published: 02/15/2015
“Mais où sont les neiges d’antan?” François Villon’s most famous line is a kind of translation, a variation of the old “ubi sunt” trope: Where are the things that used to be? But Villon specifically asks: Where are the snows? Even in the thick of a snowy winter, this snow is not the same as[…]
Published: 03/10/2016
This collection of essays by one of medieval studies’ most brilliant historians argues that the analysis and critique of biopower, as conventionally defined by Michel Foucault and then widely assumed in much contemporary theory of sovereignty, is a sovereign mode of temporalization caught up in the very time-machine it ostensibly seeks to expose and dismantle.[…]