Earth, Milky Way: punctum books, 2020. 162 pages, illus. ISBN-13: 978-1-950192-83-0. DOI: 10.21983/P3.0286.1.00. OPEN-ACCESS e-book and $20.00 in print: paperbound/5 X 8 in.

Incomparable Poetry is an exciting, ambitious book that looks at the reconfiguration of Irish society under finance capitalism as expressed and reflected upon by a number of unique voices. It shows the importance of such writing as it stands hand-in-hand with social and political activists in the overall quest to challenge and usurp those who have truncated the growth of this country for financial gain. It gives added life to work that is otherwise hard to find. Kiely reveals a counter-capitalist resistance and beauty that is on the page as well as on the streets. It is an essential piece of work.” ~ Conor McCabe, author of Sins of the Father: Tracing the Decisions that Shaped the Irish Economy

Incomparable Poetry: An Essay on the Financial Crisis of 2007-2008 and Irish Literature

Incomparable Poetry: An Essay on the Financial Crisis of 2007-2008 and Irish Literature is an attempt to describe the ways in which the financial crisis of 2007-8 impacted literature in Ireland, and thereby describe the ways in which poetry engages with, is structured by, and wrestles with economic issues.

Ireland and its contemporary poetry is a particularly suitable case study for studying the effect of the economic crisis on Anglophone poetry, because poetry in Ireland has a special relationship to the state and economy due to its status as a postcolonial nation-state. Beginning with a summary of recent Irish economic and cultural history, and moving across experimental and mainstream poetry, this essay outlines how the poetry of Trevor Joyce, Leontia Flynn, Dave Lordan, and Rachel Warriner addresses in its form and content the boom years of the Celtic Tiger and the financial crisis.

Incomparable Poetry also discusses the concerns and historical contexts these poets have turned to in order to make sense of these events – including Chinese history, accountancy, sexual violence, and Iceland’s economic history. In contemporary Irish poetry, the author argues, we see a significant interest in matching capitalism’s accounting abilities, but in this attempt, these poems often end up broken by the imposition of an external conceptual framework or economic logic.

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