Earth, Milky Way: punctum books, 2023. 418 pages. ISBN-13: 978-1-68571-088-0. DOI: 10.53288/0445.1.00. OPEN-ACCESS e-book and $27.00 in print: paperbound/5 X 8 in.

“This is a joyride of a book. Telò exquisitely embroiders on dense philological detail in brilliant readings, and handles form as an anarchic site of resistance, laying out an exhilarating and audacious challenge to received ideas of politics. Touching down eloquently on queer unhistoricism, too-close reading, trans-forming comedy, democratic cannibalism, the rush of arguments in the skilled and erudite practice of Telò brings into being a new and radical Aristophanes. His is thrilling scholarship, insurgency on the page.” ~ Page duBois, University of California San Diego

“A blazing slow-motion explosion of a book, Resistant Form brings life again to Aristophanes and shows how his comedy is vital for our time.” ~ Sarah Nooter, University of Chicago

Resistant Form: Aristophanes and the Comedy of Crisis

Can attending to poetic form help us imagine a radical politics and bridge the gap between pressing contemporary political concerns and an ancient literature that often seems steeped in dynamics of oppression?

The corpus of the fifth-century Athenian playwright Aristophanes includes some of the funniest yet most disturbing comedies of Western literature. His work’s anarchic experimentation with language invites a radically “oversensitive” hyperformalism, a formalistic overanalysis that disrupts, disables, or even abolishes a range of normativities (government, labor, reproduction, gender). Exceeding not just historicist contextualism, but also conventional notions of laughter and the logic of the joke, Resistant Form: Aristophanes and the Comedy of Crisis uses Aristophanes to fully embrace, in the practice of close or “too-close” reading, the etymological and conceptual nexus of crisis, critique, and literary criticism.

These exuberant readings of Birds, Frogs, Lysistrata, and Women at the Thesmophoria, together with the first attempt ever to grapple with the comic style of critical theorists Gilles Deleuze, Achille Mbembe, and Jack Halberstam, connect Aristophanes with contemporary discourses of biopolitics, necrocitizenship, care, labor, and transness, and at the same time disclose a quasi- or para-Aristophanic mode in the written textures of critical theory. Here is a radically new approach to the literary criticism of the pre-modern – one that materializes the circuit of crisis and critique through a restless inhabitation of the becomings and unbecomings of comic form.


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