Imprint: Dead Letter Office
FORTHCOMING Winter 2024
Perceptron is a work of experimental poetry and a critical biographical reading of Frank Rosenblatt (1928–1971) and his 1957 invention, the Perceptron. The Perceptron was the first widely publicized and used machine learning device and the origin of much contemporary neural network technology. Rosenblatt was a psychologist, a computer engineer, a musician, an amateur astronomer,[…]
Imprint: MAI: Feminism and Culture
FORTHCOMING Fall 2024
Can we think of an ethics that originates in corporeality, and not in codified or symbolic systems? In Corporeal Aesth/ethics, the body resurfaces as a central category of Bracha L. Ettinger’s theory and art, as well as an interpretive key that allows us to assume ethical responsibility for an Other who is not abstract, or[…]
FORTHCOMING Fall 2024
At the heart of this book is a story about reading, about reading and pedagogy, about pedagogy’s readers, about readers who listen, listening while reading, about poems and their sonic materials, about the demands that poetic sounds make on writers and readers, about seduction, about echoes and repetition, about the resounding qualities of poetic matter.[…]
FORTHCOMING Fall 2024
Crossings: Migrant Knowledges, Migrant Forms brings together activists, artists, scholars, and migrants with diverse histories to explore what the experience of migration does with, and to, knowledge, and how its own ways of knowing find expressive form. As the volume’s authors think about physical and imaginative crossings, and the traversals and transactions of knowledge they[…]
FORTHCOMING Fall 2024
In Xenoflesh: Vegan Poetics and Capitalocene Meat, Simon Ryle considers the representation of flesh and meat in an eclectic range of literary texts, artworks, and films produced incipient to and across capitalocene modernity, from Hesiod’s Theogony and Rembrandt’s The Slaughtered Ox to Tobe Hooper’s The Texas Chainsaw Massacre and Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead. Encompassing[…]
FORTHCOMING Summer 2024
Bringing together perception, ecology, community, lingual value, and quantum life, Imagining What We Don’t Know: Creative Theory and Critical Bodies presents twenty-four essays and theory poems that blend interpretive neologisms – wild dialectics, distributed centrality, membranism, deformance, bioautography, transplace, soft text, and more – with readings of visionary philosophers and the art and writing of[…]
Imprint: Brainstorm Books
FORTHCOMING Winter 2025
Have you ever wondered what makes you wake up in the morning? Why not just lay down, stay, and eventually disappear? What is the wanting, the energy, and the grace of liveliness? Desire is at the core of liveliness, and this book explains why it is so. Desire is much more than a mere appendix[…]
Imprint: Advanced Methods
FORTHCOMING Autumn 2024
Mourning the Ends: Collaborative Writing and Performance is an opening, a beginning, an attempt to rethink how we can be, think, and work together. This book, authored by a multitude, explores new methodologies of collaborative scholarship for the arts and humanities within the context of the various ecological, medical, military, and epistemic ends facing the[…]