art

Nairobi Becoming: Security, Uncertainty, Contingency

Published: 02/09/2024

Echoing the edgy, disjunctive, ever-emergent city of Nairobi that it explores, Nairobi Becoming: Security, Uncertainty, Contingency strives to be several things-in-the-making. It is a historically and anthropologically minded examination of a shifting cityscape, an experimental, collaborative exercise in curated juxtaposition and assemblage, and an interdisciplinary, subjunctive urban ethnography. It brings together curated interventions by twenty-seven[…]

Imagining What We Don’t Know: Creative Theory and Critical Bodies

FORTHCOMING Summer 2024

Taking up perception, ecology, community, lingual value, and quantum life, Imagining What We Don’t Know: Creative Theory and Critical Bodies comprises twenty-four essays and theory poems that blend provocative neologisms – wild dialectics, distributed centrality, soft text, and more – with readings of visionary philosophers and UK, Caribbean, US, Australasian, and Oceania art and writing.[…]

The Way Things Go

Published: 09/12/2023

The Way Things Go contains a mix of poetry, art writing, and life writing about anticipatory grief, or mourning someone or something before it’s gone. Each successive chapter in the book decreases in length by exactly one sentence, from a 71-sentence-long opening chapter, to a 70-sentence-long second chapter, to 69 sentences, 68 sentences, and so[…]

Open Book in Ways of Water

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Published: 07/14/2023

In Open Book in Ways of Water, poet and artist Adam Wolfond explores the synaesthetic quality of autistic perception, the way in which water in its different materializations shapes and channels language. Building on notions such as “wetness,” “streams,” and “currents,” Wolfond constructs a linguistic universe in which writing and perception merge, move, and “pace[…]

all except you

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Published: 04/27/2023

“I cover Steinberg with adjectives, which are like vibrations—multiple, rapid—that this lively oeuvre arouses in me.” Roland Barthes’s consideration of the drawings of New York artist Saul Steinberg — originally an artist book posthumously published in France in 1983 — is historically important as one of the last remaining books in Barthes’s oeuvre to be[…]

My Phone Lies to Me: Fake News Poetry Workshops As Radical Digital Media Literacy Given the Fact of Fake News

Published: 11/18/2022

This book of poems about fake news written by diverse project participants is foremost an invitation and invocation for readers to participate, with others, in an experiment in knowing and working differently with the internet: Fake News Poetry Workshops. Between 2018 and 2020, Alexandra Juhasz directed more than twenty of these workshops around the world,[…]

Letters on the Autonomy Project

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Published: 06/02/2022

In the face of rising authoritarianism and on the heels of urgent struggle, autonomy calls to us. How might we excavate the theory and history of autonomous politics to arrive at new possibilities for radical democracy and the radical imaginary? How can we rethink the ways in which artistic autonomy is theorized and practiced beyond[…]

Works for Works, Book 1: Useless Beauty

Published: 07/28/2022

Works for Works, Book 1: Useless Beauty tackles “legacy” issues of intellectual property rights (IPR) in artistic production and academic scholarship and proposes a category or class of works that has no relation to IPR nor to proprietary regimes of copyright and academic privilege. Keeney’s book is a structuralist argument for establishing new forms of[…]