Published: 10/16/2024
What happens when love unravels one’s knowledge structures? In The Ruins of Solitude, after the birth of a child, Bragg embraces the event of love and examines the resulting disintegration of her supposed authorial subjectivity. Against the pressure to produce and organize knowledge—the pressure of writing a dissertation, for example—Bragg contemplates the poetic modes of[…]
Imprint: Brainstorm Books
FORTHCOMING Winter 2025
What should I do? What is the right thing to do? What do I do when I don’t know what to do? The difficulty in answering these questions does not come from a lack of knowledge but a deeper problem that requires us to look inward (and outward). Inner Conflicts is an antidote to the[…]
Imprint: Dead Letter Office
Published: 12/22/2022
The Angels Won’t Help You is a book about the uniqueness and primacy of help, particularly in relation to care, love, and caritas. It relies heavily on psychoanalytic and philosophical accounts of help and care and finds that help requires the establishment of a real relationship between persons, where help is given and received in[…]
Imprint: Brainstorm Books
Published: 06/25/2020
Critique of Fantasy, Vol. 1: Between a Crypt and a Datemark addresses both the style or genre of fantasy and the mental faculty, long the hot property of philosophical ethics. Freud passed it along in his 1907 essay on the poetics of daydreaming when he addressed omnipotent wish fantasy as the source and resource of[…]
Imprint: Dead Letter Office
Published: 06/27/2019
The term “interest” lacks a precise antonym. In English, we have “disinterested” and “uninteresting,” but we want for a term that denotes robust opposition to interest. The same appears to hold true in every other language (as far as we know). Interest’s missing antonym reflects not merely a widespread lexical oversight, but a misrecognition of[…]
Imprint: Dead Letter Office
Published: 12/24/2012
Ostranenie, the term for defamiliarization introduced by Russian writer and critic Victor Shklovsky, means, among other things, to see in strangeness. To see in strangeness is to participate in an illusion that is more real than real. It may be achieved by (re)presenting the surface as the substance, the play as the thing, or by[…]