Imprint: Tangent
Published: 04/26/2024
The mask is the classic disguise. But as alter ego, it reveals as much as it conceals. Why are masks so often creepy, even outside of horror movies? Can a mask change expression while you’re wearing it? How much of someone’s self can inhabit a mask? Why would anyone make a plaster cast of a[…]
Published: 02/09/2024
Echoing the edgy, disjunctive, ever-emergent city of Nairobi that it explores, Nairobi Becoming: Security, Uncertainty, Contingency strives to be several things-in-the-making. It is a historically and anthropologically minded examination of a shifting cityscape, an experimental, collaborative exercise in curated juxtaposition and assemblage, and an interdisciplinary, subjunctive urban ethnography. It brings together curated interventions by twenty-seven[…]
Published: 11/09/2023
The Covid-19 pandemic has been expressed in various ways through visuality and performance, and some of its more nuanced cultural implications have taken place in a realm that goes beyond words. Through the exploration of the visual culture produced during and in response to the Covid-19 pandemic, The Pandemic Visual Regime: Visuality and Performativity in[…]
Published: 12/31/2022
The philosophical ties between Northeastern Asia and the Northern Rockies as represented in a selection of fine art—including Daoist nature deities and immortals, Confucian scholar brushes and inkstones, and Buddhist guardian kings and compassionate bodhisattvas—have never been explicated. This catalog lays the groundwork for a serious discussion of trans-Pacific acculturation: first by explaining the fundamentals[…]
Imprint: Dead Letter Office
Published: 04/27/2023
“I cover Steinberg with adjectives, which are like vibrations—multiple, rapid—that this lively oeuvre arouses in me.” Roland Barthes’s consideration of the drawings of New York artist Saul Steinberg—originally an artist book posthumously published in France in 1983—is historically important as one of the last remaining books in Barthes’s oeuvre to be translated into English. all[…]
Imprint: Department of Eagles
Published: 04/08/2022
Mineral Policies provides a record of an art residency organized by the ZETA Center for Contemporary Art in the mining region of Bulqiza in northeastern Albania, where four artists and activists from Albania, Blerta Hoçia, Diana Malaj, Pleurad Xhafa, and Ergin Zaloshnja, created a collective body of works in close proximity with the local miners,[…]
Published: 10/28/2021
Broad in scope, Out of Place: Artists, Pedagogy, and Purpose presents an overview of the different paths taken by artists and artist collectives as they navigate their way from formative experiences into pedagogy. Focusing on the realms inside and outside the academy (the places and persons involved in post-secondary education) and the multiple forms and[…]
Imprint: Department of Eagles
Published: 12/02/2021
Resistance features a selection of overtly non-conformist positions in the contemporary visual arts scene of Albania vis-à-vis the most recent social, political, and economic turmoils in the Western Balkans—a region marked by the dark side of political governances that have remained “democratic” in their outward appearance only (especially toward the European Union), while dramatically leaning[…]