Imprint: Tangent
Published: 04/26/2024
The mask is the classic disguise. But as alter ego, it reveals as much as it conceals. Why are masks so often creepy, even outside of horror movies? Can a mask change expression while you’re wearing it? How much of someone’s self can inhabit a mask? Why would anyone make a plaster cast of a[…]
Imprint: MAI: Feminism and Culture
FORTHCOMING Summer 2025
Can we think of an ethics that originates in corporeality, and not in codified or symbolic systems? In Corporeal Aesth/ethics, the body resurfaces as a central category of Bracha L. Ettinger’s theory and art, as well as an interpretive key that allows us to assume ethical responsibility for an Other who is not abstract, or[…]
Published: 03/28/2024
Who wants to champion the figure of Don Giovanni in the time of Harvey Weinstein and #MeToo? Don Giovanni is a rapist, murderer, serial seducer, and liar. Can he ever be held up as a role model or seen as a figure to be enjoyed? This is the task that the eminent Italian historian and[…]
Published: 02/09/2024
Echoing the edgy, disjunctive, ever-emergent city of Nairobi that it explores, Nairobi Becoming: Security, Uncertainty, Contingency strives to be several things-in-the-making. It is a historically and anthropologically minded examination of a shifting cityscape, an experimental, collaborative exercise in curated juxtaposition and assemblage, and an interdisciplinary, subjunctive urban ethnography. It brings together curated interventions by twenty-seven[…]
FORTHCOMING Summer 2025
Bringing together perception, ecology, community, lingual value, and quantum life, Imagining What We Don’t Know: Creative Theory and Critical Bodies presents twenty-four essays and theory poems that blend interpretive neologisms — wild dialectics, distributed centrality, membranism, deformance, bioautography, transplace, soft text, and more — with readings of visionary philosophers and the art and writing of[…]
Published: 11/09/2023
The Covid-19 pandemic has been expressed in various ways through visuality and performance, and some of its more nuanced cultural implications have taken place in a realm that goes beyond words. Through the exploration of the visual culture produced during and in response to the Covid-19 pandemic, The Pandemic Visual Regime: Visuality and Performativity in[…]
FORTHCOMING Spring 2025
Works for Works, Book 2: “No Rights,” privileges works-based agency (praxis) in literary-artistic scholarship. The principal focus of the Franciscan-inspired embrace of a “no rights” status for works of literary-artistic scholarship is toward freeing both author and works from forms of technocratic determinism and neo-utilitarianism associated with regimes of intellectual property rights law and platform[…]
Published: 08/24/2023
Superhero meaning making is a site of struggle. Superheroes (are thought to) trouble borders and normative ways of seeing and being in the world. Superhero narratives (are thought to) represent, and thereby inspire, alternative visions of the real world. The superhero genre is (thought to be) a repository for radical or progressive ideas. In the[…]