Imprint: Dead Letter Office
Published: 09/22/2018
Nothing in MoMA is a series of photographs captured in areas of Manhattan museums in which there are no artworks, written words, or people. Addressing the “grammar that organizes and secures our scene of looking,” in the words of art historian David Joselit’s introduction, the book imagines a composite empty museum or a narrative of[…]
Published: 06/20/2018
Wrapped in modernist architect Marcel Breuer’s 1971 addition to the Cleveland Museum of Art, A Treatise on the Marvelous for Prestigious Museums considers the global ecological catastrophe by way of a speculative address to the art museums of the future, revisiting mid-century modes of site-specificity and speculative collage as utopian practices for the present. Written over[…]
Published: 01/23/2019
Some photographers take pictures of cities that show no humans and the fact that none appear is somehow meaningful. But I have no interest in this kind of expression—the meaning that a desolate city suggests. I have no interest in photos that imply something. The possibility of the photograph that doesn’t imply anything, cut off[…]
Published: 12/13/2019
Hephaestus Reloaded / Efesto Reloaded, presented in a bilingual (English/Italian) publication, and whose five authors are from Greece, Italy, and the US, invokes as its first inspiration the myth of Hephaestus who embodied a twofold entity: both disabled and technically capacious. The myth of Hephaestus has been passed across the centuries as an ancient metaphor[…]
Imprint: Dead Letter Office
Published: 10/16/2018
The Bodies That Remain is a collection of bodies and absences. Through biography, experimental essay, interview, fictional manifestation, and poetic extraction, The Bodies That Remain is a collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations[…]
Imprint: Punctum Records
Published: 09/05/2016
Fugitive Traces is an album and accompanying PDF booklet that collages the director’s commentary from over a dozen Werner Herzog films with electronic, chamber, and rock music to both pay homage to one of the world’s most visionary filmmakers and critique an artistic practice rooted in contradiction and frequent disaster. Fugutive Traces (album) You know[…]
Published: 04/20/2018
Drifting away from an eerily empty avenue, a lonely figure heads downstairs, into a metro station… Sometimes, the maelstrom of a crisis can be captured in a single image. The image of the mundane, barely noticeable movement of an urban dweller as they go about their everyday life. Athens and the War on Public Space[…]
Published: 07/07/2017
The fifth volume of the Journal of Badiou Studies, “Architheater,” energized by the publication of Badiou’s Rhapsodie pour le théâtre (2014), knits together distinguished approaches to artistic production engaging with the work of Alain Badiou: ‘Engaging’ here means articulated positions that include, imply, or criticize the Badiouiesque corpus. The issue does not therefore seek to implement Badiou’s philosophical[…]