Writing Art

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Published: 11/26/2015

Writing Art is an attempt to respond to the possibilities of art, the potentialities in art, to the possible event that art is. Keeping in mind that events are always already potentially beyond us, are quite possibly unknown, unknowable. In this book, Jeremy Fernando meditates on art through a response to specifics works, to the specificity[…]

Workers Leaving the Studio. Looking Away from Socialist Realism.

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Published: 10/01/2015

Workers Leaving the Studio. Looking Away from Socialist Realism. catalogs the exhibition “Workers leaving the studio. Looking away from socialist realism.,” curated by Mihnea Mircan in the National Gallery of Arts in Tirana, Albania in 2015. According to Mircan, “The […] exhibition reflects on another projection machine, whose history and consequences, unlike cinema, are circumscribed[…]

History According to Cattle

Published: 10/01/2015

Download Poster for History of Cattle Timeline HERE. History According to Cattle is an expanded account of the acclaimed art and research project History of Other’s first major installment, The Museum of the History of Cattle (2013). The exhibition presents a large-scale ethnographic museum of world history as seen from the perspective of cattle, one[…]

Image Photograph

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Published: 07/01/2015

We no longer live in the society of the spectacle, passively seeing the world. Now we perform our very own spectacle in a society that demands it at every turn. We’ve become advertisements of ourselves, our own PR agents, continually putting on a performance and measuring it hour by hour. This is no longer the society[…]

Helvete 2: With Head Downwards: Inversions in Black Metal

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Published: 05/19/2015

Not to be confused with metal studies, music criticism, ethnography, or sociology, Helvete: A Journal of Black Metal Theory is a speculative and creative endeavor, one which seeks ways of thinking that count as Black Metal events — and indeed, to see how Black Metal might count as thinking. Theory of Black Metal, and Black[…]

The South Station Hoard: Imagining, Creating and Empowering Violent Remains

Published: 12/27/2014

This collaborative arts research project compares the landmark discovery of the Staffordshire Hoard, the largest hoard of Anglo-Saxon gold and silver metalwork discovered in 2009, with an imagined hoard from present day pre-adolescent girls. The collaborators constructed a subterranean installation, generated speculative historical documents, collected and embellished social networking “artifacts,” and photographed the entire process.[…]

In a Trance: On Paleo Art

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Published: 11/13/2014

In a Trance is just the sort of genre-defying work we at Peanut and punctum and, as it happens, Jeffrey Skoblow, revel in. It is a book-length essay by a fiction writer. It is a fictional essay by a literary scholar. It is a gallant assay by a smart man who thinks while he walks,[…]

Ephemeral Coast, S. Wales

Published: 11/01/2014

Ephemeral Coast is a curatorial research project that seeks to investigate our difficult relationship to the coast as a threshold and frontline to climate change and considers the possibilities of understanding art in relation to what may be described as an unparalleled event. Ephemeral Coast involves the curation of exhibitions, located in coastal regions of[…]