Imprint: Dead Letter Office
Published: 12/29/2016
Shakespeare’s As You Like It is a play without a theme. Instead, it repeatedly poses one question in a variety of forms: What if the world were other than it is? As You Like It is a set of experiments in which its characters conditionally change an aspect of their world and see what comes[…]
Published: 11/04/2017
Is it possible to conceive of a Hello Kitty Middle Ages or a Tickle Me Elmo Renaissance? The Oxford English Dictionary dates the first reference to “cute” in the sense of “attractive, pretty, charming” to 1834. More recently, Sianne Ngai has offered a critical overview of the cuteness of the twentieth-century avant-garde within the context[…]
Published: 11/07/2016
If parapolitics, a branch of radical criminology that studies the interactions between public entities and clandestine agencies, is to develop as an academic discipline, then it must develop a coherent theory of aesthetics in order to successfully perform its primary function: to render perceptible extra-judicial phenomena that have hitherto resisted formal classification. Wilson offers the work[…]
Published: 10/31/2016
It’s easy to forget there’s a war on when the front line is everywhere encrypted in plain sight. Gathered in this book’s several chapters are dispatches on the role of photography in a War Universe, a space and time in which photographers such as Hilla Becher, Don McCullin and Eadweard Muybridge exist only insofar as[…]
Published: 05/23/2016
What does it mean to unlearn? Once we have learned something, is it ever possible to unlearn that something? If something is said to have been unlearned, does that mean that it is simply forgotten or does some residual force of learning, some perverse force, also resonate in ways that might help us to rethink[…]
Imprint: CTM Documents Initiative
Published: 12/24/2017
Knowledge, Spirit, Law // Book 2: The Anti-capitalist Sublime takes up where Knowledge, Spirit, Law // Book 1: Radical Scholarship left off, foremost in terms of a critique of neo-liberal academia and its demotion of the book in favor of various mediatic practices that substitute, arguably, for the one form of critical inquiry that might[…]
Published: 04/25/2016
It always seems useful to situate a discourse in the wider context of one’s ongoing research. This new book begins where the previous one, Weaponized Architecture: The Impossibility of Innocence, ended. I wrote it in 2010 and my friends Baraona Pohl and César Reyes had the kindness to publish it in 2012. That book started with the hypothesis that architecture is inherently violent because of the way it dissects space and because of the resulting spatial organization of bodies. Architecture is a social discipline, and therefore this violence always ends up as an instrument of politics, whether it’s done consciously or not.
Published: 04/07/2016
Thoughtrave is the immediate and most detailed archive of Lady Gaga’s emotional, intellectual, philosophical, and spiritual evolution, a reclaiming of her art (and humanity) from within the center of her celebrity during one of the most difficult transitions of her career: Summer 2013–Fall 2014. I don’t like being used to make money. I feel sad[…]