Becoming Afro-Dutch: Hybrid Being in Black Art and Culture

FORTHCOMING Spring 2025

In Becoming Afro-Dutch, artist, curator, and researcher Charl Landvreugd argues that we do not yet have a language to understand Afro-Dutchness, and that it is insufficient to rely on the discourses developed in African American, Afro-British, or Caribbean cultural theory alone. This critical monograph on continental European Black art and cultural history articulates the specificity[…]

How We Read: Tales, Fury, Nothing, Sound

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Published: 07/18/2019

What do we do when we read? Reading can be an act of consumption or an act of creation. Our “work reading” overlaps with our “pleasure reading,” and yet these two modes of reading engage with different parts of the self. It is sometimes passive, sometimes active, and can even be an embodied form. The[…]

Walk on the Beach: Things from the Sea, Volume 1

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Published: 06/17/2016

This volume brings together writing and imagery from the experimental “beachwalk” session(s) at the Third Biennial Meeting of the BABEL Working Group, On the Beach: Precariousness, Risk, Forms of Life, Affinity, and Play at the Edge of the World. We began with conversations about the sea. We meditated together on chance, discovery, agency, beauty, and[…]

And Another Thing: Nonanthropocentrism and Art

Published: 06/18/2016

In And Another Thing: Nonanthropocentrism and Art, Katherine Behar and Emmy Mikelson explore how artists engage with nonanthropocentrism, one of the primary tenets shared by recent speculative realist and new materialist philosophies. Extending their investigations in And Another Thing, an exhibition which the authors curated in 2011, this volume documents both that exhibition and expands[…]

How We Write: Thirteen Ways of Looking at a Blank Page

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Published: 09/11/2015

The contributors range from graduate students and recent PhDs to senior scholars working in the fields of medieval studies, art history, English literature, poetics, early modern studies, musicology, and geography. All are engaged in academic writing, but some of the contributors also publish in other genres, includes poetry and fiction. Several contributors maintain a very[…]

The South Station Hoard: Imagining, Creating and Empowering Violent Remains

Published: 12/27/2014

This collaborative arts research project compares the landmark discovery of the Staffordshire Hoard, the largest hoard of Anglo-Saxon gold and silver metalwork discovered in 2009, with an imagined hoard from present day pre-adolescent girls. The collaborators constructed a subterranean installation, generated speculative historical documents, collected and embellished social networking “artifacts,” and photographed the entire process.[…]