Published: 05/13/2021
Over the past ten years, Organs Everywhere (Œ) has promoted conversations that approach architectural design from the edges of the discipline — testing its boundaries, technologies, methods and (e)valuation systems, and keeping them unstable. It has valued transdisciplinary, speculative and irreverent explorations over strict publishing formats and academic purity, promoting a profanatory and open-ended ethos.[…]
Imprint: Dead Letter Office
Published: 09/22/2018
Nothing in MoMA is a series of photographs captured in areas of Manhattan museums in which there are no artworks, written words, or people. Addressing the “grammar that organizes and secures our scene of looking,” in the words of art historian David Joselit’s introduction, the book imagines a composite empty museum or a narrative of[…]
Imprint: CTM Documents Initiative
Published: 12/18/2019
If we lived in a liquid world, the concept of a “machine” would make no sense. Liquid life is metaphor and apparatus that discusses the consequences of thinking, working, and living through liquids. It is an irreducible, paradoxical, parallel, planetary-scale material condition, unevenly distributed spatially, but temporally continuous. It is what remains when logical explanations[…]
Published: 07/25/2017
Urban re-industrialisation could be seen as a method of increasing business effectiveness in the context of a politically stimulated ‘green economy’; it could also be seen as a nostalgic mutation of a creative-class concept, focused on 3D printing, ‘boutique manufacturing’ and crafts. These two notions place urban re-industrialisation within the context of the current neoliberal[…]
Published: 04/25/2016
It always seems useful to situate a discourse in the wider context of one’s ongoing research. This new book begins where the previous one, Weaponized Architecture: The Impossibility of Innocence, ended. I wrote it in 2010 and my friends Baraona Pohl and César Reyes had the kindness to publish it in 2012. That book started with the hypothesis that architecture is inherently violent because of the way it dissects space and because of the resulting spatial organization of bodies. Architecture is a social discipline, and therefore this violence always ends up as an instrument of politics, whether it’s done consciously or not.
Imprint: CTM Documents Initiative
Published: 04/09/2015
This book is the second volume of texts curated specifically for The Funambulist since 2011. The editorial line of this second series of twenty-six essays is dedicated to philosophical and political questions about bodies. This choice is informed by Léopold Lambert’s own interest in the (often violent) relation between the designed environment and bodies. Corporeal[…]
Imprint: CTM Documents Initiative
Published: 08/14/2014
The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins,[…]
Imprint: CTM Documents Initiative
Published: 03/12/2014
The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins,[…]