Disrupting the Digital Humanities

Published: 11/06/2018

All too often, defining a discipline becomes more an exercise of exclusion than inclusion. Disrupting the Digital Humanities seeks to rethink how we map disciplinary terrain by directly confronting the gatekeeping impulse of many other so-called field-defining collections. What is most beautiful about the work of the Digital Humanities is exactly the fact that it[…]

3,200 Persons + $10 Per Month = Sustainability / How You Can Help

by Eileen Joy In the spirit of Open Access also (ideally) meaning transparency of the data of open-access publishing, here are some figures from punctum books, followed by a plea. Ever since launching our Graduated Open Access platform at the beginning of this year (whereby PDFs of each of our titles are available for $5.00[…]

The Digital Dionysus: Nietzsche and the Network-Centric Condition

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Published: 09/12/2016

Can Nietzsche be considered a thinker of media and mediation, as the German media theorist Friedrich Kittler declared in his influential book Gramophone, Film, Typewriter? Nietzsche was a truly transdisciplinary thinker, one who never fit into his own nineteenth-century surroundings and who recognized himself as a “herald and precursor” of the future, of our globally-reticulated[…]

Knowledge, Spirit, Law // Book 1: Radical Scholarship

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Published: 12/24/2015

Knowledge, Spirit, Law is a de facto phenomenology of scholarship in the age of neoliberal capitalism. The eleven essays (plus Appendices) in Book 1: Radical Scholarship cover topics and circle themes related to the problems and crises specific to neoliberal academia, while proposing creative paths around the various obstructions. The obstructions include metrics-obsessed academia, circular[…]

Let Us Now Stand Up for Bastards

Figure 1. Adad Hannah, The Raft of the Medusa (100 Mile House) 2 (2009) by Eileen A. Joy [cross-posted to In The Middle] I recently had the great pleasure and honor of participating in the symposium, “Disrupting DH,” convened on January 30, 2015 under the auspices of GWU’s Digital Humanities Institute, co-managed by Jonathan Hsy,[…]