Imprint: Tangent
FORTHCOMING Winter 2024
Between 2020 and 2021, in the depths of the Covid-19 pandemic, the fourteen authors included in The Before and the After: Critical Asynchrony Now turned to reflections on the late work of Jacques Derrida in an attempt to think through the temporal disjunctions imposed by the global emergency. They found themselves thinking through ideas and[…]
FORTHCOMING Spring 2024
What happens when love unravels one’s knowledge structures? In The Ruins of Solitude, after the birth of a child, Bragg embraces of the event of love and examines the resulting disintegration of her supposed authorial subjectivity. Against the pressure to produce and organize knowledge—the pressure of writing a dissertation, for example—Bragg contemplates the poetic modes[…]
Figure 1. Douglas Hodge as Titus and Sarah Rees as Lavinia in 2006 production of Shakespeare’s Titus Andronicus at the Globe Theatre by EILEEN JOY [cross-posted to In The Middle] Composition may be the recipe for deriving a practice from Object Oriented Ontology, or Speculative Realism, but the disaster is up to us. –Liza Blake,[…]