Xenoflesh: Vegan Poetics and Capitalocene Meat

FORTHCOMING Fall 2024

In Xenoflesh: Vegan Poetics and Capitalocene Meat, Simon Ryle considers the representation of flesh and meat in an eclectic range of literary texts, artworks, and films produced incipient to and across capitalocene modernity, from Hesiod’s Theogony and Rembrandt’s The Slaughtered Ox to Tobe Hooper’s The Texas Chainsaw Massacre and Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead. Encompassing[…]

Trickbox of Memory: Essays on Power and Disorderly Pasts

Published: 12/08/2020

Reach into this trickbox of memory and rummage around: you may find a tiny spaceship, or perhaps a signpost, a parade, a raised fist, an entire museum. The essays in Trickbox of Memory: Essays on Power and Disorderly Pasts draw on literary criticism, post-qualitative inquiry, new materialisms, and political activism to dismember and reanimate the[…]

Paris Bride: A Modernist Life

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Published: 02/21/2020

In July 1905, in Paris, a young Anglo-French woman called Marie Wheeler became the bride of a Swiss émigré, Johannes Schad. Immediately after the wedding, Marie and Johannes moved to London. And there they lived for nineteen years. In 1924, however, something happened to change their lives, and Marie, in many respects, simply disappeared. Paris[…]

Murder Ballads

Published: 06/27/2016

England, 1798. You buy a book of poems. An anonymous volume. You carry it home in your jacket pocket, set it on a table in your sitting room while you munch a midday meal of meat and bread. . . . In 1798, William Wordsworth and Samuel Taylor Coleridge were engaged in a top secret experiment. This was[…]

As If: Essays in As You Like It

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Published: 12/29/2016

Shakespeare’s As You Like It is a play without a theme. Instead, it repeatedly poses one question in a variety of forms: What if the world were other than it is? As You Like It is a set of experiments in which its characters conditionally change an aspect of their world and see what comes[…]