FORTHCOMING Fall 2024
At the heart of this book is a story about reading, about reading and pedagogy, about pedagogy’s readers, about readers who listen, listening while reading, about poems and their sonic materials, about the demands that poetic sounds make on writers and readers, about seduction, about echoes and repetition, about the resounding qualities of poetic matter.[…]
FORTHCOMING Fall 2024
Crossings: Migrant Knowledges, Migrant Forms brings together activists, artists, scholars, and migrants with diverse histories to explore what the experience of migration does with, and to, knowledge, and how its own ways of knowing find expressive form. As the volume’s authors think about physical and imaginative crossings, and the traversals and transactions of knowledge they[…]
FORTHCOMING Fall 2024
In Xenoflesh: Vegan Poetics and Capitalocene Meat, Simon Ryle considers the representation of flesh and meat in an eclectic range of literary texts, artworks, and films produced incipient to and across capitalocene modernity, from Hesiod’s Theogony and Rembrandt’s The Slaughtered Ox to Tobe Hooper’s The Texas Chainsaw Massacre and Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead. Encompassing[…]
Published: 09/12/2023
The Way Things Go contains a mix of poetry, art writing, and life writing about anticipatory grief, or mourning someone or something before it’s gone. Each successive chapter in the book decreases in length by exactly one sentence, from a 71-sentence-long opening chapter, to a 70-sentence-long second chapter, to 69 sentences, 68 sentences, and so[…]
Imprint: Les Figues
Published: 09/21/2023
Proposed as a collection of imaginary logos for the corporate sponsors of Borges’s Library of Babel, Kern balances on a precipice between the visual and nonsensical, offering poems just out of meaning’s reach. Using dry-transfer lettering, Beaulieu made these concrete pieces by hand, building the images gesturally in response to shapes and patterns in the[…]
Published: 02/28/2023
In the winter of 476 AD, the Ostrogoths, hungry and exhausted from wandering for months along the barren confines of the Byzantine Empire, wrote to Emperor Zeno in Constantinople requesting permission to enter the walled city of Epidaurum and just kinda crash and charge their phones. Closer to home, Orpheus walks Eurydice through a suburban[…]
Imprint: Dead Letter Office
Published: 04/27/2023
“I cover Steinberg with adjectives, which are like vibrations—multiple, rapid—that this lively oeuvre arouses in me.” Roland Barthes’s consideration of the drawings of New York artist Saul Steinberg — originally an artist book posthumously published in France in 1983 — is historically important as one of the last remaining books in Barthes’s oeuvre to be[…]
Imprint: Tangent
Published: 07/27/2023
Can attending to poetic form help us imagine a radical politics and bridge the gap between pressing contemporary political concerns and an ancient literature that often seems steeped in dynamics of oppression? The corpus of the fifth-century Athenian playwright Aristophanes includes some of the funniest yet most disturbing comedies of Western literature. His work’s anarchic[…]