Imagining What We Don’t Know: Creative Theory and Critical Bodies

FORTHCOMING Summer 2024

Bringing together perception, ecology, community, lingual value, and quantum life, Imagining What We Don’t Know: Creative Theory and Critical Bodies presents twenty-four essays and theory poems that blend interpretive neologisms – wild dialectics, distributed centrality, membranism, deformance, bioautography, transplace, soft text, and more – with readings of visionary philosophers and the art and writing of[…]

all except you

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Published: 04/27/2023

“I cover Steinberg with adjectives, which are like vibrations—multiple, rapid—that this lively oeuvre arouses in me.” Roland Barthes’s consideration of the drawings of New York artist Saul Steinberg — originally an artist book posthumously published in France in 1983 — is historically important as one of the last remaining books in Barthes’s oeuvre to be[…]

Post Memes: Seizing the Memes of Production

Published: 11/25/2019

Art-form, send-up, farce, ironic disarticulation, pastiche, propaganda, trololololol, mode of critique, mode of production, means of politicisation, even of subjectivation — memes are the inner currency of the internet’s circulatory system. Independent of any one set value, memes are famously the mode of conveyance for the alt-right, the irony left, and the apoliticos alike,  and[…]

Lapidari, Volume 3: Images, Part II

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Published: 02/16/2015

In June and July 2014, philologist Vincent W.J. van Gerven Oei and photographer Marco Mazzi undertook the Albanian Lapidar Survey, a project to map, document, and photograph the large majority of Albanian lapidars, a particular type of monument, mainly produced in the period that the communist Labor Party of Albania ruled the country (1945–1990) to[…]