Imagining What We Don’t Know: Creative Theory and Critical Bodies

FORTHCOMING Summer 2025

Bringing together perception, ecology, community, lingual value, and quantum life, Imagining What We Don’t Know: Creative Theory and Critical Bodies presents twenty-four essays and theory poems that blend interpretive neologisms — wild dialectics, distributed centrality, membranism, deformance, bioautography, transplace, soft text, and more — with readings of visionary philosophers and the art and writing of[…]

all except you

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Published: 04/27/2023

“I cover Steinberg with adjectives, which are like vibrations—multiple, rapid—that this lively oeuvre arouses in me.” Roland Barthes’s consideration of the drawings of New York artist Saul Steinberg—originally an artist book posthumously published in France in 1983—is historically important as one of the last remaining books in Barthes’s oeuvre to be translated into English. all[…]

Multispecies Storytelling in Intermedial Practices

Published: 03/10/2022

Multispecies Storytelling in Intermedial Practices is a speculative endeavor asking how we may represent, relay, and read worlds differently by seeing other species as protagonists in their own rights. What other stories are to be invented and told from within those many-tongued chatters of multispecies collectives? Could such stories teach us how to become human[…]

Post Memes: Seizing the Memes of Production

Published: 11/25/2019

Art-form, send-up, farce, ironic disarticulation, pastiche, propaganda, trololololol, mode of critique, mode of production, means of politicisation, even of subjectivation — memes are the inner currency of the internet’s circulatory system. Independent of any one set value, memes are famously the mode of conveyance for the alt-right, the irony left, and the apoliticos alike,  and[…]

Lapidari, Volume 3: Images, Part II

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Published: 02/16/2015

In June and July 2014, philologist Vincent W.J. van Gerven Oei and photographer Marco Mazzi undertook the Albanian Lapidar Survey, a project to map, document, and photograph the large majority of Albanian lapidars, a particular type of monument, mainly produced in the period that the communist Labor Party of Albania ruled the country (1945–1990) to[…]