Imprint: Les Figues
FORTHCOMING Summer 2026
In The Phonemes, Frances Richard investigates perceptually distinct units of experience, such as sounds, energy surges, and scraps of national and natural history, to create episodes of disruption and dissolution. Organized into sequences that move from seismic notation and wave-form typography to lyric encounters with meteors, snakes, glaciers, and the domestic sublime, the poems break[…]
Published: 08/06/2024
In an epoch driven by hyper-consumption and marvelously destructive futility, and in the context of a hegemonic utilitarianism where one goes to university to work rather than to “develop a meaningful philosophy of life,” the concept of the useful is perhaps one most in need of interrogation. Taunting the Useful seeks to unsettle notions of[…]
Imprint: Dead Letter Office
Published: 07/15/2015
In the 2011 book Dark Matter: Art and Politics in the Age of Enterprise Culture, the artist Gregory Sholette posits that we are living in an era of surplus creative energies concentrated in a teeming archive of artists, the poor, the “unskilled” and the “economically invisible.” It is a potentially disruptive archive that capitalism can’t[…]