Covert Plants: Vegetal Consciousness and Agency in an Anthropocentric World
- Edited by Prudence Gibson, Brits Baylee
Published on September 11, 2018 by punctum books
- Pages
- 266 pages
- Languages
- English
- Dimensions
- 5⤫8 in.
- ISBN (Paperback)
- ISBN: 978-1-947447-69-1 (Paperback)
- ISBN (PDF)
- ISBN: 978-1-947447-70-7 (PDF)
- LCCN
- LCCN: 2018948912
- BISAC subject codes
- BISAC: NAT026000, NAT045000
- Thema subject codes
- THEMA: PST, RNA
Covert Plants contributes to newly emerging discourses on the implications of vegetal life for the arts and culture. This stretches to changes in our perception of ‘nature’ and to the adapting roles of botany, evolutionary ecology, and environmental aesthetics in the humanities. Its editors and contributors seek various expressions of vegetal life rather than the mere representation of such, and they proceed from the conviction that a rigorous approach to thinking with and through vegetal life must be interdisciplinary. At a time when urgent calls for restorative care and reparative action have been sounded for the environment, this essay volume presents a range of academic and creative perspectives, from evolutionary biology to literary theory, philosophy to poetry, which respond to the perplexing problems and paradoxes of vegetal thinking.
Representations of vegetal life often include plant analogies and plant imagery. These representations have at times obscured the diversity of plant behavior and experience. Covert Plants probes the implications of vegetal life for thought and how new plant science is changing our perception of the vegetal — around us and in us. How can we think, speak, and write about plant life without falling into human-nature dyads, or without tumbling into reductive theoretical notions about the always complex relations between cognition and action, identity and value, subject and object?
A full view of this shifting perspective requires a ‘stereoscopic’ lens through which to view plants, but also simultaneously to alter our human-centered viewpoint. Plants are no longer the passive object of contemplation, but are increasingly resembling ‘subjects,’ ‘stakeholders,’ or ‘actors.’ As such, the plant now makes unprecedented demands upon the nature of contemplation itself. Moreover, the aesthetic, political, and legal implications of new knowledge regarding plants’ ability to communicate, sense, and learn require intensive, cross-disciplinary investigation. By doing this, we can intervene into current attitudes to climate change and sustainability, and hopefully revise, for the better, human philosophies, ethics, and aesthetics that touch upon plant life.
Contents
Frontmatter (i–x)
Prudence Gibson, Brits Baylee
Introduction: Covert Plants (11–21)
Baylee Brits, Prudence Gibson
Interview with Michael Marder (25–34)
Prudence Gibson
Mixed Up with Trees: The Gadgur and the Dreaming (36–43)
Stephen Muecke
Lover Nature (45–46)
Paul Dawson
An Ear to the Ground (47–57)
Andrew Belletty
Gardening / Grasshopper in a Field (59–60)
Luke Fischer
Spores from Space: Becoming the Alien (61–77)
Tessa Laird
Brain Trees: Neuroscientific Metaphor and Botanical Thought (81–98)
Baylee Brits
Metaphoric Plants: Goethe's Metamorphosis of Plants and the Metaphors of Reason (99–120)
Dalia Nassar
Icaro / Heyowicinayo (121–124)
Tamryn Bennett
Continuous Green Abstraction: Embodied Knowledge, Intuition, and Metaphor (125–150)
Ben Woodard
Figures (151–160)
Lisa Dowdall
The Colour Green (163–181)
Prudence Gibson
Persons as Plants: Ecopsychology and the Return to the Dream of Nature (183–194)
Monica Gagliano
Rooted (195–195)
Justin Clemens
Agricultural Inventiveness: Beyond Environmental Management? (197–212)
Lucas Ihlein
Trees and Landlords and Other Public Experiments: An Interview with Natalie Jeremijenko (213–220)
Susie Pratt
Gardening out of the Anthropocene: Creating DIfferent Relations between Humans and Edible Plants in Sydney (221–251)
Jennifer Mae Hamilton
Backmatter (253–263)
Prudence Gibson, Brits Baylee
Biographies
Prudence Gibson is Post-Doctoral Fellow at University of New South Wales, Sydney, Australia. She is author of The Rapture of Death (Boccalatte, 2010), and has published over 300 essays. Her 2015 monograph Janet Laurence: The Pharmacy of Plants was published by New South Publishing. She co-edited Aesthetics After Finitude (opens in new tab)(re.press, 2016). Her monograph The Plant Contract, which addresses plant studies and art, will be published in January 2018 with Brill Rodopi.
Reviews
Richard Doyle
Pennsylvania State University
Usage metrics
Genres
- Biosphere
- Cultural Studies+Critical Theory
- Posthumanism
Keywords
- bioart
- ecology
- eco-psychology
- environmental humanities
- plant studies
