Covert Plants contributes to newly emerging discourses on the implications of vegetal life for the arts and culture. This stretches to changes in our perception of ‘nature’ and to the adapting roles of botany, evolutionary ecology, and environmental aesthetics in the humanities. Its editors and contributors seek various expressions of vegetal life rather than the[…]
Read an Excerpt from Sea Monsters Here! Beaches are places that give and take, bringing unexpected surprises to society, and pulling essentials away from it. Through monsters, we confront our tiny time between catastrophes and develop a recognition of Otherness by which an ethical understanding of difference becomes possible. Learning to read the monster’s environmental[…]
Read an Excerpt from Meaningful Flesh Here! Religion is much queerer than we ever imagined. Nature is as well. These are the two basic insights that have led to this volume: the authors included here hope to queerly go where no thinkers have gone before. The combination of queer theory and religion has been happening[…]
Part scholarship, part journalism, part ecological screed, this book may read like a mashup of critical perspectives. Like other current investigations into the ecological significance of early modern literature, the account of King Lear offered here draws on different and sometimes contrasting interpretive methods: cognitive science, evolutionary psychology, literary historicism and what is called the new materialism. Moreover, the book reflects on the broad global setting of eco-materialism’s themes of catastrophe and enmeshed co-existence, using contemporary examples from Japan, New Mexico, Finland, and India, all while jumping back to Shakespeare’s early modern England. … Those interested in ecology might not be interested in the history of Renaissance literacy. And those interested in the scholarship on Shakespeare’s King Lear might not be interested in accounts of tsunami stones or radioactive waste sites. But they should be. … Because the proverbial clock is ticking. What Hamlet said about readiness? Well, it’s happening. The sparrow has already fallen.
~Craig Dionne, Posthuman Lear
This volume comprises a three-fold object, Book and Ocean and New York City. If this Book were Ocean, how would it feel between your fingers? Wet and slippery, just a bit warmer or colder than the air around it, since the Ocean is our planet’s greatest reservoir of heat, a sloshing insulator and incubator girdling[…]
Gathering into lively conversation scholars in medieval, early modern and object studies, Inhuman Nature explores the activity of the things, forces, and relations that enable, sustain and operate indifferently to us. Enamored by fictions of environmental sovereignty, we too often imagine “human” to be a solitary category of being. This collection of essays maps the[…]
The recent 10,000 year history of climatic stability on Earth that enabled the rise of agriculture and domestication, the growth of cities, numerous technological revolutions, and the emergence of modernity is now over. We accept that in the latest phase of this era, modernity is unmaking the stability that enabled its emergence. Over the 21st[…]