Essays on the Peripheries contains essays written over a twenty-year period, stretching from the 1990s to 2019. They are a record of exploration and discovery, concerned with the recovery of lost works, with those writers whose works were out of print or hard to find, and whose names were somehow not fashionable in the current discourse, but who were important nevertheless. Edouard Roditi, Barbara Barg, and Tom Savage, for example, should be better known, but their books are largely ignored. James Alexander’s Eternature and Elio Schneeman’s A Found Life deserve to be rescued from oblivion. This collection of essays highlights those works on the periphery, while it also includes several essays on better-known authors, focusing on often overlooked qualities in their work that bear looking at closely.
These essays on works of literature are complemented by a number of texts on jazz, again highlighting important and interesting figures in the world of jazz and free improvisation that may have fallen through the cracks, such as the pianist Richard Twardzick and the London-based free improv group AMM, and the Ganelin trio, which recorded their great experimental work Ancora da Capo in 1980, behind the Iron Curtain. Attention is also to given to more popular figures such as Stan Getz.
A collection of essays, like an anthology, is by its nature incomplete. Essays on the Peripheries is a kind of sketch, rather than a finished portrait, of the author’s changing impressions on various subjects over the years.