Imprint: Dead Letter Office
Published: 10/16/2018
The Bodies That Remain is a collection of bodies and absences. Through biography, experimental essay, interview, fictional manifestation, and poetic extraction, The Bodies That Remain is a collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations[…]
Published: 11/19/2018
1883. Jean-Pierre Brisset realizes that a close phonological analysis of spoken words will demonstrate that the French language, and therefore the human species, was evolved from frogs. 1896. Consulted as an expert in linguistics and comparative philology, Ferdinand de Saussure reports that the passages of Martian Language transcribed during the “sonambulistic glossolalias” of one (pseudonymously[…]
Published: 05/02/2018
Opponents of states and capital must be prepared to defend ourselves. To understand the nature of the state is to know that it will attack to kill when and where it feels a threat to its authority and power. But the struggles against exploitation, oppression, and repression must also move to the offensive. With the[…]
Imprint: Dead Letter Office
Published: 01/24/2020
Why should there only be literary scholarship about authors who actually lived, and texts which exist? Where are the articles on Enoch Campion, Linus Withold, Redondo Panza, Darshan Singh, or Heidi B. Morton? That none of these are real authors should be no impediment to interpreting their invented writings. In the first collection of its[…]
Published: 11/06/2018
All too often, defining a discipline becomes more an exercise of exclusion than inclusion. Disrupting the Digital Humanities seeks to rethink how we map disciplinary terrain by directly confronting the gatekeeping impulse of many other so-called field-defining collections. What is most beautiful about the work of the Digital Humanities is exactly the fact that it[…]
Published: 03/26/2018
Trouble Songs is a hybrid serial work that tracks the appearance of the word “trouble” in 20th- and 21st-century American music. It reads (and sings) songs and poems, with reference to cultural events ranging from the death of a pop singer to the growth of popular resistance movements. The trouble singer invokes the word “trouble” in[…]
Published: 01/04/2019
Echoes of No Thing seeks to understand the space between thinking which Martin Heidegger and the 13th-century Zen patriarch Eihei Dōgen explore in their writing and teachings. Heidegger most clearly attempts this in Contributions to Philosophy (of the Event) and Dōgen in his Shōbōgenzō, a collection of fascicles which he compiled in his lifetime. Both[…]
Imprint: Peanut Books
Published: 09/26/2017
In this collection of longer essays nested within brief, lyrical meditations, each piece focuses on some micro aspect of everyday life as a means of exploring complex macro systems—families, dinner parties, vineyards, deserts, nations. For example, Walker’s own experience as the mother of a micropreemie (a baby born weighing less than one pound, twelve ounces,[…]