Imprint: Dead Letter Office
Published: 12/22/2021
Wonder, Horror, Mystery is a dialogue between two friends, both notable arts critics, that takes the form of a series of letters about movies and religion. One of the friends, J.M. Tyree, is a film critic, creative writer, and agnostic, while the other, Morgan Meis, is a philosophy PhD, art critic, and practicing Catholic. The[…]
Published: 11/04/2021
Geographies of Identity: Narrative Forms, Feminist Futures explores identity and American culture through hybrid poetry and prose work by women, and expands the strategies of cultural poetics practices into the study of innovative narrative writing. Informed by Judith Butler, Homi Bhabha, Harryette Mullen, Julia Kristeva, and others, this project further considers feminist identity politics, race,[…]
Imprint: Dead Letter Office
Published: 04/06/2021
Come As You Are, After Eve Kosofsky Sedgwick brings together two pieces of writing. In the first, “After Eve Kosofsky Sedgwick,” Jonathan Goldberg assesses Sedgwick’s legacy, prompted mainly by writing about Sedgwick’s work that has appeared in the years since her death in April 2009. Writings by Lauren Berlant, Jane Gallop, Katy Hawkins, Scott Herring,[…]
Imprint: Advanced Methods
Published: 08/05/2021
Working from a speculative, more-than-human ontological position, Inefficient Mapping: A Protocol for Attuning to Phenomena presents a new, experimental cartographic practice and non-representational methodological protocol that attunes to the subaltern genealogies of sites and places, proposing a wayfaring practice for traversing the land founded on an ethics of care. As a methodological protocol, inefficient mapping[…]
Imprint: Dead Letter Office
Published: 02/04/2021
Ammiel Alcalay’s groundbreaking work, After Jews and Arabs, published in 1993, redrew the geographic, political, cultural, and emotional map of relations between Jews and Arabs in the Levantine/Mediterranean world over a thousand-year period. Based on over a decade of research and fieldwork in many disciplines—including history and historiography; anthropology, ethnography, and ethnomusicology; political economy and[…]
Imprint: Dead Letter Office
Published: 07/29/2021
There is indeed a “miracle” in the 1970 film Wanda. This film has survived, despite decades of neglect, to emerge into the fuliginous light of an era that may just be ready to strain at grasping its harsh and brutal truths—truths that reveal the imbrication of the psychic in the social and the experiential in[…]
Published: 06/17/2021
Cinema’s Doppelgängers is a counterfactual history of the cinema—or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it’s a history of the movies written from an alternative unfolding of historical time—a world in which neither the Bolsheviks nor the Nazis came to power,[…]
Published: 12/08/2020
Reach into this trickbox of memory and rummage around: you may find a tiny spaceship, or perhaps a signpost, a parade, a raised fist, or an entire museum. The essays in Trickbox of Memory: Essays on Power and Disorderly Pasts draw on literary criticism, post-qualitative inquiry, new materialisms, and political activism to dismember and reanimate[…]