The Passenger: Medieval Texts and Transits

Published: 12/08/2017

What strange transactions take place in the mobile spaces between loci? How does the flow of forces between fixed points enliven texts, suggest new connections, and map out the dizzying motion of myriad interactions? The essays in this volume were first presented at the 2014 New Chaucer Society Congress in Reykjavik, Iceland where a meeting[…]

Kill Boxes: Facing the Legacy of US-Sponsored Torture, Indefinite Detention, and Drone Warfare

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Published: 03/02/2017

Kill Boxes addresses the legacy of US-sponsored torture, indefinite detention, and drone warfare by deciphering the shocks of recognition that humanistic and artistic responses to violence bring to consciousness if readers and viewers have eyes to face them. Beginning with an analysis of the ways in which the hooded man from Abu Ghraib became iconic,[…]

Centaurs, Rioting in Thessaly

Published: 01/09/2018

This book treads new paths through the labyrinths of our human thought. It meanders through the darkness to encounter the monsters at the heart of the maze: Minotaurs, Centaurs, Automata, Makers, Humans. One part of our human thought emerges from classical Ionia and Greek civilisation more generally. We obsessively return to that thought, tread again[…]

Murder Ballads

Published: 06/27/2016

England, 1798. You buy a book of poems. An anonymous volume. You carry it home in your jacket pocket, set it on a table in your sitting room while you munch a midday meal of meat and bread. . . . In 1798, William Wordsworth and Samuel Taylor Coleridge were engaged in a top secret experiment. This was[…]

As If: Essays in As You Like It

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Published: 12/29/2016

Shakespeare’s As You Like It is a play without a theme. Instead, it repeatedly poses one question in a variety of forms: What if the world were other than it is? As You Like It is a set of experiments in which its characters conditionally change an aspect of their world and see what comes[…]

Continuum: Writings on Poetry as Artistic Practice

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Published: 11/26/2015

Continuum: Writings on Poetry as Artistic Practice reunites the most part of the essays and articles produced between 2007 and 2015 by poet and artist Alessandro De Francesco. It shows what De Francesco himself affirms at a point in the last text of the book: that an artist can also be a theorist, and that[…]

Posthuman Lear: Reading Shakespeare in the Anthropocene

Published: 02/26/2016

Part scholarship, part journalism, part ecological screed, this book may read like a mashup of critical perspectives. Like other current investigations into the ecological significance of early modern literature, the account of King Lear offered here draws on different and sometimes contrasting interpretive methods: cognitive science, evolutionary psychology, literary historicism and what is called the new materialism. Moreover, the book reflects on the broad global setting of eco-materialism’s themes of catastrophe and enmeshed co-existence, using contemporary examples from Japan, New Mexico, Finland, and India, all while jumping back to Shakespeare’s early modern England. … Those interested in ecology might not be interested in the history of Renaissance literacy. And those interested in the scholarship on Shakespeare’s King Lear might not be interested in accounts of tsunami stones or radioactive waste sites. But they should be. … Because the proverbial clock is ticking. What Hamlet said about readiness? Well, it’s happening. The sparrow has already fallen.

~Craig Dionne, Posthuman Lear