Imprint: Les Figues
Published: 03/14/2024
Someone has taken a trip and taken photographs of that trip and someone else has been invited to watch a slideshow of the trip taken. There is a road, there is an abstract painting, there is a viewer who wishes he could live in a televised loop of a sunset, and another who wonders why[…]
Published: 02/29/2024
Taking its cues from the New Narrative writing movement, like a dog considers how sexual identity is morphed, hidden, and denied by cultural forces like film, pornography, rape culture, and sexual semiotics. The speaker of like a dog writes about her sexuality, sexual trauma, and relationships in the epistolary form to explore how the personal[…]
FORTHCOMING Fall 2024
Xenoflesh: Vegan Poetics and Capitalocene Meat considers the representation of flesh and meat in an eclectic range of literary texts, artworks, and films produced incipient to and across capitalocene modernity, from Hesiod’s Theogony and Rembrandt’s The Slaughtered Ox to Tobe Hooper’s The Texas Chainsaw Massacre and Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead. Moving between art, film, and literary texts,[…]
FORTHCOMING Summer 2024
Criticism has plucked the imaginary flowers on the chain not in order that man shall continue to bear that chain without fantasy or consolation, but so that he shall throw off the chain and pluck the living flower. ~ Karl Marx Since the spectacular collapse of the political aspirations of Bernie Sanders in the US[…]
Published: 02/09/2024
Echoing the edgy, disjunctive, ever-emergent city of Nairobi that it explores, Nairobi Becoming: Security, Uncertainty, Contingency strives to be several things-in-the-making. It is a historically and anthropologically minded examination of a shifting cityscape, an experimental, collaborative exercise in curated juxtaposition and assemblage, and an interdisciplinary, subjunctive urban ethnography. It brings together curated interventions by twenty-seven[…]
Imprint: Les Figues
Published: 01/29/2024
The Getty Fiend, a contemporary medieval melodrama set in Los Angeles’s Getty Museum, takes the reader on a tour filled with rock stars and warrior-kings, werewolves and archivists, sartorial Huns and libertine saints, all seen through the keenly dramatic flair of a collector’s eye. A cinematic and labyrinthine take on pulp horror, Ken White’s screenplay-in-verse[…]
Published: 01/18/2024
In Analogical City, Cameron McEwan argues for architecture’s status as a critical project. McEwan revisits architect Aldo Rossi as a paradigmatic figure of the critical rational tradition, studying a neglected aspect of his thought — the analogical city — to excavate its potential. McEwan develops a grammar of the analogical city under the headings of[…]
Imprint: Brainstorm Books
FORTHCOMING Winter 2024
In Darieck Scott’s novel Dream-Slaves, our universe is dead. But everything each of us have ever experienced and knew for all the years of recorded human history lives on, preserved under the care of massive, unimaginably powerful artificial intelligences built to ferry our memories to a new universe so that we might live again. These[…]