Published: 12/21/2016
In recent years the humanities, social sciences and neuroscience have witnessed an ‘affective turn,’ especially in discourses around post-Fordist labor, economic and ecological crises, populism and identity politics, mental health, and political struggle. This new awareness would be unthinkable without the pioneering work of Gilles Deleuze, who replaced judgment with affect as the very material movement[…]
Imprint: tiny collections
Published: 06/17/2016
This volume brings together writing and imagery from the experimental “beachwalk” session(s) at the Third Biennial Meeting of the BABEL Working Group, On the Beach: Precariousness, Risk, Forms of Life, Affinity, and Play at the Edge of the World. We began with conversations about the sea. We meditated together on chance, discovery, agency, beauty, and[…]
Published: 06/18/2016
In And Another Thing: Nonanthropocentrism and Art, Katherine Behar and Emmy Mikelson explore how artists engage with nonanthropocentrism, one of the primary tenets shared by recent speculative realist and new materialist philosophies. Extending their investigations in And Another Thing, an exhibition which the authors curated in 2011, this volume documents both that exhibition and expands[…]
Published: 03/03/2016
In her first inquiry toward a decelerationist aesthetics, Katherine Behar explores in this essay chapbook the rise of two “big deal” contemporary phenomena, big data and obesity. In both, scale rearticulates the human as a diffuse informational pattern, causing important shifts in political form as well as aesthetic form. Bigness redraws relationships between the singular[…]
Imprint: CTM Documents Initiative
Published: 09/12/2016
Can Nietzsche be considered a thinker of media and mediation, as the German media theorist Friedrich Kittler declared in his influential book Gramophone, Film, Typewriter? Nietzsche was a truly transdisciplinary thinker, one who never fit into his own nineteenth-century surroundings and who recognized himself as a “herald and precursor” of the future, of our globally-reticulated[…]
Imprint: Department of Eagles
Published: 10/01/2015
Workers Leaving the Studio. Looking Away from Socialist Realism. catalogs the exhibition “Workers leaving the studio. Looking away from socialist realism.,” curated by Mihnea Mircan in the National Gallery of Arts in Tirana, Albania in 2015. According to Mircan, “The […] exhibition reflects on another projection machine, whose history and consequences, unlike cinema, are circumscribed[…]
Published: 10/01/2015
Download Poster for History of Cattle Timeline HERE. History According to Cattle is an expanded account of the acclaimed art and research project History of Other’s first major installment, The Museum of the History of Cattle (2013). The exhibition presents a large-scale ethnographic museum of world history as seen from the perspective of cattle, one[…]
Imprint: Dead Letter Office
Published: 07/15/2015
In the 2011 book Dark Matter: Art and Politics in the Age of Enterprise Culture, the artist Gregory Sholette posits that we are living in an era of surplus creative energies concentrated in a teeming archive of artists, the poor, the “unskilled” and the “economically invisible.” It is a potentially disruptive archive that capitalism can’t[…]