FORTHCOMING Fall 2024
Xenoflesh: Vegan Poetics and Capitalocene Meat considers the representation of flesh and meat in an eclectic range of literary texts, artworks, and films produced incipient to and across capitalocene modernity, from Hesiod’s Theogony and Rembrandt’s The Slaughtered Ox to Tobe Hooper’s The Texas Chainsaw Massacre and Olga Tokarczuk’s Drive Your Plow Over the Bones of the Dead. Moving between art, film, and literary texts,[…]
Published: 09/24/2020
Diseases of the Head is an anthology of essays from contemporary philosophers, artists, and writers working at the crossroads of speculative philosophy and speculative horror. At once a compendium of multivocal endeavors, a breviary of supposedly illicit ponderings, and a travelogue of philosophical exploration, this collection centers itself on the place at which philosophy and[…]
Published: 11/15/2019
Judith Butler’s Gender Trouble: Feminism and the Subversion of Identity radically claimed that the sexed body is a fallacy, discursively constructed by the performance of gender. A.W. Strouse has undertaken to rewrite Butler’s classic tome into an octosyllabic poem. Inspired by the rhyming encyclopedias of the Middle Ages, Strouse transforms each of Butler’s sentences[…]
Imprint: Dead Letter Office
Published: 02/13/2019
In an increasingly technologized and connected world, it seems as if noise must be increasing. Noise, however, is a complicated term with a complicated history. Noise can be traced through structures of power, theories of knowledge, communication, and scientific practice, as well as through questions of art, sound, and music. Thus, rather than assume that[…]
Published: 05/26/2017
Coming from behind (derrière)—how else to describe a volume called “Derrida and Queer Theory”? — as if arriving late to the party, or, indeed, after the party is already over. After all, we already have Deleuze and Queer Theory and, of course, Saint Foucault. And judging by Annamarie Jagose’s Queer Theory: An Introduction, in which[…]
Imprint: Dead Letter Office
Published: 05/15/2017
In 1980, Jacques Derrida published La carte postale: De Socrate à Freud et au-delà. At the occasion of the 30th anniversary of the English translation, Going Postcard: The Letter(s) of Jacques Derrida revisits this seminal work in Derrida’s oeuvre. Derrida himself described The Post Card in his preface as “the remainders of a destroyed correspondence,” stretching from 1977 to 1979. A cryptic text,[…]
Imprint: Dead Letter Office
Published: 03/02/2017
Kill Boxes addresses the legacy of US-sponsored torture, indefinite detention, and drone warfare by deciphering the shocks of recognition that humanistic and artistic responses to violence bring to consciousness if readers and viewers have eyes to face them. Beginning with an analysis of the ways in which the hooded man from Abu Ghraib became iconic,[…]
Imprint: Dead Letter Office
Published: 02/08/2015
[Given, If, Then] attempts to conceive a possibility of reading, through a set of readings: reading being understood as the relation to an Other that occurs prior to any semantic or formal identification, and, therefore, prior to any attempt at assimilating, or appropriating, what is being read to the one who reads. As such, it[…]