FORTHCOMING Winter 2025
A man dies. He dies because he must — because without his death, there is no story, and, in the end, no history itself. So begins Mariko Nagai’s Imaginary Death, a creative nonfiction book that examines how the author’s grandfather, an ordinary man born in a small village in the early 20th century, is unmade[…]
Published: 01/13/2022
In the thirteenth century Dogen brought Zen to Japan. His tradition flourishes there still today and now has taken root across the world. Abruptly Dogen presents some of his pithy writings — startling, shifting, funny, spilling out in every direction. These writings come from all seventy-five chapters of his masterwork, the Eye of Real Dharma[…]
Imprint: Department of Eagles
Published: 01/27/2022
Broken Narrative provides an extensive reflection on history, politics, and contemporary art, revolving around the cornerstones of the artistic practice of Albanian artist Armando Lulaj. The core of the book is formed by and extended interview of Lulaj by Italian artist and writer Marco Mazzi. This inquiry starts in the year 1997, a year of[…]
Imprint: Dead Letter Office
Published: 12/19/2019
A Nuclear Refrain is a spatial fiction, and miniature chapbook (measuring 4 X 6 inches), that critiques the policy of nuclear deterrence, the concept of Mutually Assured Destruction, and the UK’s decision to replace its Vanguard submarines, the so-called Trident replacement. We challenge that decision via extending our geographical imaginations into the past, present, and[…]
Published: 01/23/2019
Some photographers take pictures of cities that show no humans and the fact that none appear is somehow meaningful. But I have no interest in this kind of expression—the meaning that a desolate city suggests. I have no interest in photos that imply something. The possibility of the photograph that doesn’t imply anything, cut off[…]
Imprint: CTM Documents Initiative
Published: 06/13/2013
The blog The Funambulist: Architectural Narratives, a daily architectural platform written and edited by Léopold Lambert, finds its name in the consideration for architecture’s representative medium, the line, and its philosophical and political power when it materializes and subjectivizes bodies. If the white page represents a given milieu — a desert for example — and[…]