Post Memes: Seizing the Memes of Production

FORTHCOMING Summer 2019

Art-form, send-up, farce, ironic disarticulation, pastiche, propaganda, trololololol, mode of critique, mode of production, means of politicisation, even of subjectivation — memes are the inner currency of the internet’s circulatory system. Independent of any one set value, memes are famously the mode of conveyance for the alt-right, the irony left, and the apoliticos alike,  and[…]

Badiou Studies 5: Architheater

Published: 07/07/2017

Read Editor’s Introduction and Martin Puchner’s “The Theater of Alain Badiou” Here! The fifth volume of the Journal of Badiou Studies, “Architheater,” energized by the publication of Badiou’s Rhapsodie pour le théâtre (2014), knits together distinguished approaches to artistic production engaging with the work of Alain Badiou: ‘Engaging’ here means articulated positions that include, imply, or criticize the[…]

Everyday Cinema: The Films of Marc Lafia

Published: 01/31/2017

Read an Excerpt from Everday Cinema Here! Everyday Cinema presents the films (eight features and numerous shorts, computational, and installation films) of Marc Lafia. In his many films (including Exploding Oedipus; Love and Art; Confessions of an Image; Revolution of Everyday Life; Paradise; Hi, How Are You Guest 10497; and 27)  Lafia probes what it is to construct an[…]

After the “Speculative Turn”: Realism, Philosophy, and Feminism

Published: 10/26/2016

Read an Excerpt — Nina Power’s chapter on “Philosophy, Sexism, Emotion, Rationalism”! Recent forms of realism in continental philosophy that are habitually subsumed under the category of “speculative realism,” a denomination referring to rather heterogeneous strands of philosophy, bringing together object-oriented ontology (OOO), non-standard philosophy (or non-philosophy), the speculative realist ideas of Quentin Meillassoux and Marxism, have provided[…]