In this lyric memoir, Seo-Young Chu experiments with using literary fugues to explore the literal and figurative “fugue states” — from spells of incantatory writing to oneiric re-namings of the self — in which she has found refuge from abuse, intergenerational distress, and rape trauma. The voices animating the fugues in A Refuge for Jae-in Doe speak in a variety of first-person personas as well as in other-than-first-person pronouns, together comprising a complex authorial voice that is both less and more than completely unified.
Through such experimentats, Chu illuminates topics encompassing the nature of time, the history of the sonnet, code-switching, suicidal ideation, the model minority myth, late-stage capitalism, institutional violence, suicide, rape culture, standardized tests, the Korean Demilitarized Zone, what it means to read a book, and what it means to be a self.