Whose Mediterranean are we talking about? What languages are most appropriate to its reception and understanding? With two-thirds constituted by the histories and cultures of its African and Asian shorelines and hinterlands, and its principal spoken language – in all its variants and dialects – being Arabic, then the Mediterranean clearly exceeds the Western frame of explanation. Without pretending to speak for or in the name of these ignored and repressed dimensions, The Mediterranean Question explores the gap between the Mediterranean reduced to a European and Western mirror by listening and attending to some of those other histories, cultures, and lives.
How to puncture prevalent European understandings of the Mediterranean? The colonizing impulse inscribed in Western historiography cannot be undone simply by adding previously repressed and unacknowledged histories. Instead, a re-examination of the premises and procedures that produced such exclusions leads to a change in coordinates. An order of knowledge that creates subaltern objects of study to reconfirm European centrality and subjectivity is interrogated. Insisting on a politics of registration and listening, further critical incentives drawn from the trans-local dissemination of literature, music, cinema, and the visual arts can be deployed to query existing representations.
In this more ragged and open series of maps, there lies no complete picture but rather a challenge to the violence of existing explanations. Insisting that present-day knowledge is sustained in asymmetrical relations of power, The Mediterranean Question promotes a reconfiguration of historical archives and cultural ties. This casts a critical light on the deeper histories that have made the Mediterranean, Europe, and Western modernity. Proposing a series of intersecting analyses that underline the colonial constitution of the present and its mobile and creolized formation, this work seeks to establish the coordinates for thinking and practicing the possibilities of another Mediterranean.
About the Authors
Iain Chambers is an independent researcher and writer. Born in the UK and educated at the Centre for Contemporary Cultural Studies in Birmingham, he moved to Naples, Italy in the 1970s. There, he taught Cultural, Postcolonial, and Mediterranean Studies at the University of Naples, Orientale, for many decades. Among his publications are Migrancy, Culture, Identity (1993), Mediterranean Crossings (2008), and Postcolonial Interruptions, Unauthorised Modernities (2017). In 2022, he participated in documenta 15 as a member of the collective Jimmie Durham & A Stick in the Forest by the Side of the Road. He is a regular contributor to the Italian daily il Manifesto. For more information, visit https://mediterranean-blues.blog/.
Marta Cariello is an Associate Professor in English Literature and Cultural Studies at Università della Campania “Luigi Vanvitelli” in Naples, Italy. She has published on postcolonial literature with a specific focus on Anglophone Arab women writers, on the Mediterranean as a critical space of modernity, and more broadly on cultural studies. Among her recent publications is the Italian translation of Nathalie Handal’s The Lives of Rain (Iacobelli, 2018). She is co-founder and co-director of the academic journal de genere. Journal of Literary, Postcolonial and Gender Studies. Her current research focuses on the intersection of narratives of waste, nationhood, and citizenship.