Published: 05/13/2021
Over the past ten years, Organs Everywhere (Œ) has promoted conversations that approach architectural design from the edges of the discipline — testing its boundaries, technologies, methods and (e)valuation systems, and keeping them unstable. It has valued transdisciplinary, speculative and irreverent explorations over strict publishing formats and academic purity, promoting a profanatory and open-ended ethos.[…]
Imprint: Gracchi Books
Published: 10/15/2020
This volume is dedicated to eliciting the interactions between localities across late antique and early medieval Europe and the wider Mediterranean. Significant research has been done in recent years to explore how late “Roman” and post-“Roman” cities, towns and other localities communicated vis-à-vis larger structural phenomena, such as provinces, empires, kingdoms, institutions and so on.[…]
Published: 05/07/2020
Overlooking Lago di Orta in the foothills of the Northern Italian Alps, the Renaissance-era Sacro Monte di Orta (a UNESCO World Heritage site) is spectacle and hagiography, theme park and treatise. Sacro Monte di Orta is a sacred mountain complex that extolls the life of St. Francis of Assisi through fresco, statuary, and built environment.[…]
Published: 07/05/2019
Drawing on the vast archival resources of its Architecture and Design Collection, the UCSB Art, Design & Architecture Museum (University of California, Santa Barbara) presents an assessment of 50 years of design by Barton Myers (b. 1934), beginning with his work in the Toronto firm A.J. Diamond and Barton Myers (1967–1975) to his own offices[…]
Published: 05/23/2018
Read an Excerpt from Air Supplied Here! Air Supplied doubles as an artbook and edited collection of critical essays on the work of Australian-based artist David Cross. Known for his practice with inflatable structures, his projects often draw audiences into unexpected situations and dialogues. Working across performance/participatory art and object-based environments, Cross has developed a unique body[…]
Imprint: Dead Letter Office
Published: 09/22/2018
Nothing in MoMA is a series of photographs captured in areas of Manhattan museums in which there are no artworks, written words, or people. Addressing the “grammar that organizes and secures our scene of looking,” in the words of art historian David Joselit’s introduction, the book imagines a composite empty museum or a narrative of[…]
Published: 03/29/2019
On the unstable boundaries between “interior” and “exterior,” “private” and “public,” and always in some way relating to a “beyond,” the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of modernity. The wide variety of interior spaces elicited in literature — from the odd room over the[…]
Published: 01/19/2019
Finding Room in Beirut: Places of the Everyday demonstrates why it is worth our while to explore the value and contemporary meaning of urban areas about to undergo complete renewal. Branching off from discourses surrounding the terrain vague, the book argues that large populated urban areas meet the criteria of the vague and constitute a[…]