Finding Room in Beirut: Places of the Everyday demonstrates why it is worth our while to explore the value and contemporary meaning of urban areas about to undergo complete renewal. Branching off from discourses surrounding the terrain vague, the book argues that large populated urban areas meet the criteria of the vague and constitute a[…]
If we lived in a liquid world, the concept of a “machine” would make no sense. Liquid life is metaphor and apparatus that discusses the consequences of thinking, working, and living through liquids. It is an irreducible, paradoxical, parallel, planetary-scale material condition, unevenly distributed spatially, but temporally continuous. It is what remains when logical explanations[…]
Wrapped in modernist architect Marcel Breuer’s 1971 addition to the Cleveland Museum of Art, A Treatise on the Marvelous for Prestigious Museums considers the global ecological catastrophe by way of a speculative address to the art museums of the future, revisiting mid-century modes of site-specificity and speculative collage as utopian practices for the present. Written over[…]
Opponents of states and capital must be prepared to defend ourselves. To understand the nature of the state is to know that it will attack to kill when and where it feels a threat to its authority and power. But the struggles against exploitation, oppression, and repression must also move to the offensive. With the[…]
The fifth volume of the Journal of Badiou Studies, “Architheater,” energized by the publication of Badiou’s Rhapsodie pour le théâtre (2014), knits together distinguished approaches to artistic production engaging with the work of Alain Badiou: ‘Engaging’ here means articulated positions that include, imply, or criticize the Badiouiesque corpus. The issue does not therefore seek to implement Badiou’s philosophical[…]
Urban re-industrialisation could be seen as a method of increasing business effectiveness in the context of a politically stimulated ‘green economy’; it could also be seen as a nostalgic mutation of a creative-class concept, focused on 3D printing, ‘boutique manufacturing’ and crafts. These two notions place urban re-industrialisation within the context of the current neoliberal[…]
Hack The Experience will reframe your perspective on how your audience engages your work. This will happen as you learn how to control attention through spatial and time-based techniques that you can harness as you build immersive installations or as you think about how to best arrange your work in an exhibition. You’ll learn things[…]
It always seems useful to situate a discourse in the wider context of one’s ongoing research. This new book begins where the previous one, Weaponized Architecture: The Impossibility of Innocence, ended. I wrote it in 2010 and my friends Baraona Pohl and César Reyes had the kindness to publish it in 2012. That book started with the hypothesis that architecture is inherently violent because of the way it dissects space and because of the resulting spatial organization of bodies. Architecture is a social discipline, and therefore this violence always ends up as an instrument of politics, whether it’s done consciously or not.