Imprint: Les Figues
FORTHCOMING Summer 2026
In The Phonemes, Frances Richard investigates perceptually distinct units of experience, such as sounds, energy surges, and scraps of national and natural history, to create episodes of disruption and dissolution. Organized into sequences that move from seismic notation and wave-form typography to lyric encounters with meteors, snakes, glaciers, and the domestic sublime, the poems break[…]
Imprint: Advanced Methods
Published: 03/21/2025
Mourning the Ends: Collaborative Writing and Performance is an opening, a beginning, an attempt to rethink how we can be, think, and work together. This book, authored by a multitude, explores new methodologies of collaborative scholarship for the arts and humanities within the context of the various ecological, medical, military, and epistemic ends facing the[…]
Imprint: Les Figues
Published: 05/25/2023
The before, the after, and the event that divides. In Irradiated Cities, Mariko Nagai seeks the dividing events of nuclear catastrophe in Japan, exploring the aftermath of the bombings at Hiroshima and Nagasaki and the nuclear meltdown at Fukushima. Nagai’s lyric textual fragments and stark black and white photographs act as a guide through these[…]
Imprint: 3Ecologies Books
Published: 08/15/2023
Disability justice and ecojustice are rarely considered together but are in constant conversation in our world. Rituals for Climate Change: A Crip Struggle for Ecojustice, combining poetry and the lyrical essay, doesn’t contain just one point of view but encompasses dialectical perspectives which often exist in contradiction to each other. A disabled person is in[…]
Published: 08/13/2020
Between Species/Between Spaces assembles text and images resulting from a pilot artistic research residency hosted by the Cape Cod Modern House Trust and the Cape Cod National Seashore in Cape Cod, Massachusetts. Artists in the book reflect on the geological forces that are reshaping the landscape and ecology of the Outer Cape which illuminate and[…]
Published: 06/11/2020
If at its most elemental, the theater is an art form of human bodies in space, what becomes of the theater as suicide capitalism pushes our world into a posthuman age? Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater traces the twentieth-century theater’s movement from dramaturgies of efficiency to dramaturgies of waste,[…]
Published: 06/20/2018
Wrapped in modernist architect Marcel Breuer’s 1971 addition to the Cleveland Museum of Art, A Treatise on the Marvelous for Prestigious Museums considers the global ecological catastrophe by way of a speculative address to the art museums of the future, revisiting mid-century modes of site-specificity and speculative collage as utopian practices for the present. Written over[…]
Published: 09/05/2016
Fugitive Traces is a sound album released in both digital and CD editions* with an accompanying PDF booklet that collages Werner Herzog’s voiceover commentary from over a dozen of his films with electronic, chamber, and rock music to both pay homage to one of the world’s most visionary filmmakers and critique an artistic practice rooted[…]